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Picturing Mind by John Danvers
In this book the author takes an unusual multi-disciplinary approach to debates about contemporary art and poetry, ideas about the mind and its representations, and theories of knowledge and being. Arts practices are considered as enactments of mind and as transformative modes of consciousness. Ideas drawn from poetics, philosophy and consciousness studies are used to illuminate the conceptual and aesthetic frameworks of a diverse array of visual artists. Themes explored include: the interconnectedness of existence; art as a way of interrogating appearances; identity and otherness; art and the self as ‘open work’; Buddhist concepts of ‘emptiness’ and ‘suchness’; scepticism, mysticism and the arts; and mind in the landscape. The book contains an important and distinctive visual dimension with photographs and drawings by the author and texts employing unorthodox syntax and layouts that exemplify the themes under discussion. The author hints at a new aesthetics and philosophy of indeterminacy, paradox, uncertainty and discontinuity - a contrarium - in which we negotiate our way through the instabilities and contradictions of contemporary life. Written in a lively and accessible style this volume is of interest to scholars, arts practitioners, teachers and to anyone with an interest in art, poetry, consciousness studies, philosophy and nature.Artists, poets and philosophers discussed, include: Cy Twombly, Helen Chadwick, John Ruskin, Ad Reinhardt, Richard Long, James Turrell, Anish Kapoor, Ian Hamilton Finlay, Agnes Martin, Land Art, Arte Povera, Minimalism, Charles Olson, Kenneth White, Robin Blaser, Fred Wah, Gary Snyder, RS Thomas, Alice Oswald, John Cage, Jorge Luis Borges, Guy Davenport, Kenneth Rexroth, Heidegger, Marjorie Perloff, Thomas McEvilley, Merleau-Ponty, Spinoza, Wittgenstein, Roland Barthes, Umberto Eco, David Abram, Thomas Merton, Pyrrho & Nagarjuna.
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Cyberculture, Cyborgs and Science Fiction
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Beyond Bodies
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Observing Theatre
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Utopia and Consciousness
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Zones of Re-membering
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Corporeality: Emergent Consciousness within its Spatial Dimensions
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Theatre, Opera and Consciousness
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Joys and Sorrows of Imaginary Persons
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Integral Drama
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Screen Consciousness
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Patterns of Creativity
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The Rhythm of Space and the Sound of Time
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The Image in French Philosophy
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Restoration of Breath
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Innovation and Visualization
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The Big Fish
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Metaphors, Narratives, Emotions
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Fluxus
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Conscious Theatre Practice
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Cognitive Iconology
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Stravinsky, God, and Time
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Art and Identity
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Agents of uncertainty
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The Subject of Aesthetics
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Touching Surfaces
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Strindberg and the Quest for Sacred Theatre
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Framing Consciousness in Art: Transcultural Perspectives
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Presence of the Body
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The Persistence of the Human
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Art and the Brain
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Scanning the Hypnoglyph
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Between Play and Prayer
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In Quest of the Self
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Art and Adaptability
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Cognition in Emotion
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Frameworks, Artworks, Place
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Reading Coetzee
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Spike Milligan's Accordion
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Movement as Meaning in Experimental Film
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Presence in Play
This book is a self-unfolding by Danvers, and if you come to it open you will get much to fold back into your selfBill Bamberger, Amazon.com, in: Elliptical orbits, June 30, 2007
John Danvers is an artist, writer and academic currently based at the University of Plymouth, UK. His work includes drawings, paintings, installations and performance works, and, most recently, digital projections with live spoken texts. He has exhibited and lectured widely in the UK, Europe, North America and Australia, with work in many private and public collections. His published writings include academic papers on the philosophy of art practice and pedagogy, as well as hybrid texts combining poetic discourse and visual elements.
| SKU | Unavailable |
| ISBN 13 | 9789042018099 |
| ISBN 10 | 9042018097 |
| Title | Picturing Mind |
| Author | John Danvers |
| Series | Consciousness Literature And The Arts |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Brill |
| Year published | 2006-01-01 |
| Number of pages | 368 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |







































