
There Are No Secrets by Peter Brook
Peter Brook is the most consistently innovative director in Western theatre. In these three essays he returns to the concept of his first book The Empty Space and examines what that means for the life of a production.-
Engineers Of The Imagination
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The Lives of Lucian Freud: FAME 1968 - 2011
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My Life In Art
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Present Indicative
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Future Indefinite
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Between Two Silences
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The Worst It Can Be Is A Disaster
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Stanislavski: His Life and Art
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Threads of Time
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Bertolt Brecht: A Literary Life
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Meyerhold
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John Gielgud: Matinee Idol to Movie Star
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Bread And Puppet Theatre Vol 1
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Woza Shakespeare
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The Shifting Point
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Double Act
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Shakespeare:The Poet & His Plays
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Coward The Playwright
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Grinning At The Edge
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The Theatre of Steven Berkoff
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Is Comrade Bulgakov Dead?
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Theatre Of Erwin Piscator
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Theatre Of Visions
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Peter Brook: Threads of Time
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The Craft of Theatre: Seminars and Discussions in Brechtian Theatre
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Stephen Joseph: Theatre Pioneer and Provocateur
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Dario Fo
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Chekhov in My Life
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Living Theatre
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Broadway Jeeves?
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Remembering Arthur Miller
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My First Seven Years (plus a Few More)
Peter Brook (1925-2022) was a British theatre director, noted for his strikingly original productions. The child of Russian emigrés, Brook made his debut at the age of 18 with a production of Marlowe's Dr Faustus. In 1945 Brook was invited to direct Paul Scofield in King John at the Birmingham Repertory Theatre, following this with a celebrated production of Love's Labours Lost (1946) at Stratford-upon-Avon (again with Scofield). Further successes included Anouilh's Ring Round the Moon (1950), Otway's Venice Preserv'd (1953), Hamlet (1955), The Power and the Glory (1956), and The Family Reunion (1956). Brook was made a codirector of the newly formed Royal Shakespeare Company in 1962, directing later that year a highly acclaimed production of King Lear (with Scofield once again). Other successes with the RSC included Peter Weiss's Marat/Sade (1964), Seneca's Oedipus (1968), and a famous production of A Midsummer Night's Dream (1970), featuring an all-white set and the use of circus skills. In 1970 Brook founded, with Jean-Louis Barrault, the International Centre for Theatre Research, a company of international performers with whom he toured extensively. Since 1974 the Centre has been based at the Bouffes du Nord in Paris. Brook's subsequent productions have included a nine-hour adaptation of the Indian epic The Mahabharata (1985), a pared down version of Carmen (1989), and Qui est la? (1995), a reworking of Hamlet. In 2004 Brook presented Tierno Bokar, a meditation on the life and teachings of the title character, a Sufi mystic in French colonial Africa.
| SKU | Unavailable |
| ISBN 13 | 9780413694904 |
| ISBN 10 | 0413694909 |
| Title | There Are No Secrets |
| Author | Peter Brook |
| Series | Biography And Autobiography |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Bloomsbury Publishing PLC |
| Year published | 1995-03-13 |
| Number of pages | 128 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |































