Foreword. Where have we been and where are now? A Chatterjee, E Cardlillo Frameworks 1. An early framework for a cognitive neuroscience of visual aesthetics. A Chatterjee 2. Bringing it all together: neurological and neuroimaging evidence of the neural underpinnings of visual aesthetic. M Nadal, CJ Cela-Conde 3. But, what actually happens when we engage with art? M Pelowski, H Leder 4. Naturalizing aesthetics. Steven Brown 5. Moving towards emotions in the aesthetic experience. C Di Dio and V Gallese 6. The aesthetic triad. O Vartanian and A Chatterjee 7. How neuroimaging is transforming our understanding of aesthetic taste. M Skov 8. The cognitive neuroscience of aesthetic experience. M Nadal and M Pearce Beauty 9. Facial beauty and the medial orbitofrontal cortex. JP O'Doherty, RJ. Dolan 10. Beautiful people in the brain of the beholder. A Chatterjee 11. The mark of villainy: the connection between appearance and perceived morality. F Hartung 12. A quest for beauty. T Jacobsen 13. Scene preferences, aesthetic appeal and curiosity: revisiting the neurobiology of the infovore. EA Vessel, X Yue, I Biederman 14. Kinds of beauty and the prefrontal cortex. T Pegors 15. Expertise and aesthetic liking. M Skov & U Kirk 16. Social meaning brings beauty: neural response to the beauty of abstract Chinese characters. X He and W Zhang Art 17. The contributions of emotion and reward to aesthetic judgment of visual art. O Vartanian 18. Embodiment and the aesthetic experience of images. V Gallese, D Freedberg, M Alessandra Umilta 19. The role of left dorsolateral prefrontal cortices in aesthetic valuation. E Munar & CJ Cela-Conde 20. The role of the dorsolateral prefrontal cortex in aesthetic appreciation. M Nadal, Z Cattaneo, and CJ Cela-Conde 21. Is artistic composition in abstract art detected automatically? C Menzel, G Kovacs, GU Hayn-Leichsenring, C Redies 22. The contribution of visual area V5 to the perception of implied motion in art and its appreciation. M Nadal and Z Cattaneo 23. Art Is Its own reward. S Lacey, K Sathian 24. Imaging the subjective. EA Vessel, GG Starr 25. Cultural neuroaesthetics of delicate sadness induced by Noh masks. N Osaka 26. Towards a computational understanding of neuroaesthetics. K Iigaya and JP O'Doherty 27. Artists, artworks, aesthetics, cognition. WP Seeley 28. Aesthetic liking is not only driven by object properties, but also by your expectations. M Skov, U Kirk 29. Finding mutual interest between neuroscience and aesthetics: a brush with reality? AJ Parker 30. What can we learn about art from people with neurological disease? A Chatterjee Music 31. Chills, Bets, And Dopamine: a journey Into music reward. L Ferreri, J Riba, R Zatorre, A Rodriguez-Fornells 32. Why does music evoke strong emotions? Testing the endogenous opioid hypothesis. DJ Levitin and LA Fleming 33. Music in all its beauty: adopting the naturalistic paradigm to uncover brain processes during the aesthetic musical experience. E Brattico and V Alluri 34. Investigating musical emotions in people with unilateral brain damage. AM Belfi, A Pralus, C Hirel, D Tranel, B Tillmann*, A Caclin* Language and Literature 35. The neurocognitive poetics model of literary reading 10 years after. AM Jacobs 36. The power of poetry. E Wassiliwizky, W Menninghaus 37. Pictograph portrays what it is: neural response to the beauty of concrete Chinese characters. X He and W Zhang Dance 38. Movement, synchronization, and partnering in dance. S Brown 39. Dance, expertise and sensorimotor aesthetics. B Calvo-Merino 40. An eye for the impossible: exploring the attraction of physically impressive dance movements. ES Cross 41. The mind, the brain and the moving body: dance as a topic in cognitive neuroscience. B Blaesing, B Calvo-Merino 42. Training effects on affective perception of body movements. LP Kirsch, ES Cross Architecture 43. The neuroaesthetics of architecture. O Vartanian 44. Architectural styles as subordinate scene categories. DB Walther 45. Architectural affordances: linking action, perception, and cognition. Z Djebbara, K Gramann 46. Architectural design and the mind. A Coburn Afterword. Where are we now and where are we going? A Chatterjee, E Cardlillo