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Drama at the Courts of Queen Henrietta Maria Karen Britland (University of Wisconsin, Madison)

Drama at the Courts of Queen Henrietta Maria By Karen Britland (University of Wisconsin, Madison)

Drama at the Courts of Queen Henrietta Maria by Karen Britland (University of Wisconsin, Madison)


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Summary

Employing innovative research, this 2006 book considers Queen Henrietta Maria's patronage of drama in England in the light of her French heritage. Unlike previous studies, it takes into consideration the queen's nationality, discussing her actions in England in the light of her upbringing at the French court.

Drama at the Courts of Queen Henrietta Maria Summary

Drama at the Courts of Queen Henrietta Maria by Karen Britland (University of Wisconsin, Madison)

Drama at the Courts of Queen Henrietta Maria, published in 2006, considers Queen Henrietta Maria's patronage of drama in England in the light of her French heritage. Karen Britland challenges a common view of Henrietta Maria as a meddlesome and frivolous woman whose actions contributed to the outbreak of the English civil wars by showing how she was consistent in her allegiances to her family and friends, and how her cultural and political positions were reflected in the plays and court masques she sponsored. Unlike previous studies, this book considers the queen's upbringing at the French court and her later exile in France during the English civil wars, and is therefore able to challenge received notions about her activities in England during the 1630s. Karen Britland employs innovative research by combining discussions of literary texts with historical and archival research and discussions of art, architecture and music.

Drama at the Courts of Queen Henrietta Maria Reviews

Review of the hardback: '... Karen Britland offers a persuasive counternarrative ...' Journal of British Studies
Review of the hardback: '... a welcome addition to the field ... it deploys a full scholarly apparatus of notes and bibliography. Ten chapters plus introduction, epilogue and appendix cover the queen's performances in England ... Scrupulously researched ... A lively combination of information is brought to bear on the costumes for the masques ... Dance historians should find much of interest in both books.' Dance Chronicle

About Karen Britland (University of Wisconsin, Madison)

Karen Britland is a lecturer in Renaissance literature at Keele University. On the basis of the interdisciplinary and bilingual nature of her work, she has been chosen by Gary Taylor as one of the six most exciting scholars working in the field of Renaissance drama. She is also an associate editor on The Cambridge Edition of the Works of Ben Jonson.

Table of Contents

Introduction; 1. Sex and dancing: Henrietta Maria's wedding ballets; 2. Artenice: a new French fashion at the English court; 3. Foreign bodies: conflict and co-operation in the early masques; 4. Family affairs: Henrietta Maria and continental politics in 1631; 5. Tempe Restored: exile/dispossession/restitution; 6. 'It is my voyce': the fashioning of a self in The Shepherds' Paradise; 7. 'Fate hath made thy reign her choice': The Temple of Love (1635); 8. Florimene: the author and the occasion; 9. Marie de Medicis and the last masques; 10. 'Tyer'd, in her Banish'd dress': Henrietta Maria in exile; Epilogue; Appendix: an early entertainment by Aurelian Townshend.

Additional information

NLS9780521121521
9780521121521
0521121523
Drama at the Courts of Queen Henrietta Maria by Karen Britland (University of Wisconsin, Madison)
New
Paperback
Cambridge University Press
2009-10-15
304
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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