[H]ighbrow, brilliant, striking, [and] thoughtful - New York Magazine
Framed by contextualizing essays on the history of photography and the current state of the journalistic landscape, this book of interviews explores the complexities and ethical dilemmas of conflict photography today across a breadth of visual imagery, including coverage of wars as well as social, political, and economic conflicts. Walsh delivers a penetrating look at the struggles of the craft and the men and women who keep it alive, from brushes with death on the frontlines to the battles for space, resources, and attention in the media. Conversations on Conflict Photography offers unique, extended insight into 'behind the lens' practices, because this imagery, which informs public reactions to current events and ultimately shapes the course of history, must be better understood. - Yahoo! News
This book offers an extraordinary window into the world of conflict photographers. Traditionally, conflict photographers have been hailed for their bravery on the frontlines. Over and over, I've seen that their role is far broader and far more important. They are groundbreaking journalists whose images document war crimes, violence, and human rights abuses and help bring perpetrators to justice. - David Rohde, Pulitzer Prize winner, The New Yorker
Photographers have the most dangerous job in journalism because they have to go where the action is. Their images have deepened understanding and changed perceptions. But the cost has been high. Many have died; others been traumatized; and still others have left the profession, unable to comprehend the world's indifference. Conversations on Conflict Photography allows the photojournalists who bore witness to step out from behind the lens and tell their own stories. We owe it to them to stop and listen. - Joel Simon, Executive Director of the Committee to Protect Journalists
Conversations on Conflict Photography will no doubt be a go-to book for anyone studying visual journalism. It humanizes what it means to negotiate the business of photographing and reporting on crisis issues by providing a diverse array of viewpoints by many seasoned professionals. - Karen Marshall, Chair of the Documentary Practice and Visual Journalism Program, International Center of Photography
Conversations should be read by anyone interested in war and its consequences. It covers the process and danger of being a conflict photographer, the ethics of photographing combatants and victims, and the layered decisions made before distributing such photographs. Lauren Walsh's essays and interviews are vital additions to the literature. In an age of instant gratification, Walsh insists that readers question their immediate responses to photographs of conflict. - Anne Wilkes Tucker, WAR/PHOTOGRAPHY: Images of Armed Conflict and its Aftermath and Curator Emerita, Museum of Fine Arts, Houston
In this important and timely book, Walsh guides the reader into the lives and thoughts of key photographers and industry professionals who do so much to shape our understanding of international affairs. Her concise summary of the key questions and challenges of conflict reporting is expanded on by her extensive series of interviews that capture the authoritative and authentic voices of those who act as the conduit through which we experience the lives of others caught up in conflict. - Paul Lowe, Professor of Documentary Photography, University of the Arts London
In this era of disinformation, circulation of rumors, and threats to journalism, with a public that exhibits apathy and skepticism related to the infobesity, the work of Lauren Walsh is crucial to defending the ideals of photography. These are not the ideals of sensationalism, not a photography focused on spectacle. Rather, the ideal is a photography that captures the world as it is-an ideal of honesty, of trustworthiness, in photography. A conflict photographer is not defined as somebody who takes pictures of conflict in the field. Rather, the conflict photographer, the photojournalist, is somebody who uses a camera and belongs to the ideal of truth, of capturing the reality. Those people are so precious, and take on such risks, that they have to be protected, if we want human beings to be protected. - Christophe Deloire, Secretary General and Executive Director, Reporters Sans Frontieres / Reporters Without Borders
The bravest people in the world, and the foolhardy, are conflict photographers. My basic rule for covering wars is never to accept a ride from a photographer or video journalist: When they hear gunfire, they rush toward it. This book is a collection of interviews with photographers about the work they do, why they do it and the ethical issues they confront - including many of their most searing images. We all owe these photographers a debt for their courage and for forcing us to face the reality and brutality of war. -Nicholas Kristof, Pulitzer Prize winner, The New York Times
Conversations on Conflict Photography is about the ethics of our work. It's about imposition and intent. It's about apathy. It's about putting your life at risk to tell a story no one may ever see. It's about the moral imperative of telling the news. -LensCulture
[O]ne of the most insightful reads on conflict photojournalism. -Photojournalism Now
[O]ffers a real insight into the motivations that drive journalists, as well as the toll their work takes on them.-ProPhotoDaily
[A] profound collection of insights and reflections --LSE
Cultural critic, writer and professor Lauren Walsh intrepidly enters the complex terrain of media literacy to deliver a twenty-first century paradigm of photojournalism... Walsh arms her readers with the tools to be engaged critical thinkers and informed global citizens, capable of activating our compassion by accepting our responsibility. - ZEKE, The magazine of global documentary
