Michaela Mahlbergs work on Dickens is ground-breaking and genuinely important because it analyses and brings into dialogue major aspects of his writing that have been wrongly and strangely neglected in modern criticism: in particular, his language and characterisation. The neglect of these fundamental characteristics of Dickenss fiction may have resulted from disciplinary fissures, the divergence of Language from Literature, History from Aesthetics. Here too, Mahlberg proves herself a pioneer, not only integrating the methods of English Language in particular, Corpus Linguistics - with English Literature, but in so doing, applying technology creatively to textual analysis. Corpus Stylistics and Dickenss Fiction opens up a whole new vista on Dickenss work, suggesting fertile and productive angles for future research. Juliet John, Royal Holloway, University of London, UK
Mahlberg offers us a first-rate study of Dickens's fiction, carried out at the intersection of four major domains of research: corpus-linguistic research methods, the study of phraseology, text linguistics, and literary stylistics. By applying corpus-driven analytical methods, Mahlberg helps us understand some of the major phraseological devices that Dickens employs to create the memorable characters that we all love. This book will be of interest for both its theoretical contributions in the areas of corpus linguistics and literary stylistics, as well as for its detailed descriptions of Dickens's style. Douglas Biber, Northern Arizona University, USA
Michaela Mahlbergs book provides both a structured introduction to the field of corpus stylistics, which has become increasingly popular over the past few years, and corpus-stylistic case studies focusing on Charles Dickenss work. Mahlberg shows that the combination of corpus-linguistic methods and literary-stylistic approaches opens up entirely new perspectives on the description and analysis of how literary texts work. This book shows in a refreshingly innovative way how the great divide between literary preoccupation with the creative potential of individual authors and texts on the one hand and the corpus-linguistic identification of general routines in language use on the other can be overcome this book is a must for everyone who intends to join the ever-growing corpus-stylistic community. Joybrato Mukherjee, University of Giessen, Germany
Ive been eagerly awaiting the publication of this innovative book for some months now. Michaela Mahlbergs work is both highly creative and rigorous methodologically. I think it is a must-read book for anyone interested in corpus stylistics, stylistics more generally, corpus linguistics and Dickens studies. Mahlberg reveals fascinating patterns of phrasal repetition scattered through Dickenss novels which influence readers, mainly subliminally, when they read his work. Mick Short, Lancaster University, UK
"It is clearly and engagingly written and has insights to offer those who want to use computers to analyse texts." - Marianne, Berlin International School, Germany
"In addition to adding new and valuable insights to the heavily researched area of Dickensian fiction, Mahlbergs innovative, yet well-grounded methodological approach has raised the bar for corpus stylistics research." - Jesse Egbert, Corpora, Northern Arizona University, USA
"Mahlberg [] provides an important contribution to both corpus linguistics research and stylistics [] her book offers original and groundbreaking insights into the work of this popular author [Dickens]." - Marina Lambrou, English Language and Linguistics, Stockholm University, Sweden
"Mahlbergs functional groupings of the cluster data are practical, and successful in enabling her to break new ground in the investigation of Dickenss language style. [] [The] book offers fresh perspectives and empirical evidence to support, extend and contextualise the way Dickenss characters are shaped by patterns of repeated language units." - Jane Demmen, Functions of Language, Lancaster University, UK
"As it stands, the book will undoubtedly be of great interest to those who believe in the integration of cognitive and corpus linguisitcs." - Marija Milojkovic, University of Belgrade
