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The Renaissance of Gravure P. M. S. Hacker

The Renaissance of Gravure By P. M. S. Hacker

The Renaissance of Gravure by P. M. S. Hacker


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Condition - Very Good
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Summary

Six essays surveying the work of S.W. Hayter (1901 -), the most important British printmaker in the history of gravure working in Paris (1927-39, 1950 to present) and New York (1940-50). It is published to coincide with a major retrospective exhibition of his prints in Oxford, Autumn 1988.

The Renaissance of Gravure Summary

The Renaissance of Gravure: Art of S.W. Hayter by P. M. S. Hacker

This volume of six essays surveying the work of S.W. Hayter is published to coincide with a major retrospective exhibition of his prints at the Ashmolean Museum, Oxford in Autumn 1988. Hayter (1901 -) is considered the most important British printmaker in the history of gravure and one of the most important printmakers of the century. His Atelier 17 in Paris has been the source of the most significant innovations in intaglio printmaking for the last 60 years, and virtually every great artist interested in original gravure has worked with him in Paris (1927-39, 1950 to present) or New York (1940-50), including Picasso, Chagall, Miro, Kandinsky, Ernst, Masson, Tanguy, Pollock, Rothko, Motherwell, de Kooning, Trevelyan, Buckland-Wright and Rothenstein. The book includes biographical notes, a bibliography of Hayter's writings and an annotated catalogue of the Ashmolean Museum's exhibition, containing over a hundred works spanning more than six decades.

Table of Contents

Introduction - the art of S.W.Hayter, Peter Hacker; Hayter - the years of surrealism, Graham Reynolds; S.W.Hayter and Atelier 17 in America, David Cohen; the great colour prints 1969-87, Peter Hacker; working in Atelier 17, Jean Lodge; line and colour - Hayter and means of expression, Peter Black.

Additional information

GOR003364101
9780199521111
0199521115
The Renaissance of Gravure: Art of S.W. Hayter by P. M. S. Hacker
Used - Very Good
Paperback
Oxford University Press
19881000
174
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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