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Cirencester Pubs Through Time By Philip Griffiths

Cirencester Pubs Through Time

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This fascinating selection of photographs traces some of the many ways in which Cirencester Pubs has changed and developed over the last century.

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Cirencester Pubs Through Time Summary

Cirencester Pubs Through Time by Philip Griffiths

In 1800 residents of Cirencester in search of ale could choose from seventy-three public houses. In 2012 that choice had dwindled to seventeen. In 1976 Philip Griffiths began his quest to find out more about the closures while enjoying a drink at the bar of the survivors. Old postcards, photographs and directories provided the first clues and digging deep in the archives revealed the location of some of the absentee landlords. The 'lost' pubs provide a colourful litany of names: Three Cats Head, the Pound of Candles, Jacobs Well, and the New Conduit. The 'recently lost' but still strong in people's memories include the Queen's Head, the Forester's Arms, the White Lion and the Woodbine. This walking tour of the town's hostelries, old and new, is sure to bring back fond memories for patrons of the old watering holes of this quaint Cotswold town.

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About Philip Griffiths

Philip Griffiths Retired (local government) with a keen interest in local history (self-taught amateur). Founder member of the Cotswold Postcard Club, with a particular interest in the work of W. Dennis Moss, a local Cirencester photographer and producer of postcards. Previous publications include: Cuss, E. & Griffiths, P., The Churn, Coln and Leach Valleys in Old Photographs (Alan Sutton, 1990) Cuss, E. & Griffiths, P, Around Cirencester in Old Photographs (Alan Sutton, 1991).

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Cirencester Pubs Through Time by Philip Griffiths
Philip Griffiths
Through Time
Used - Like New
Amberley Publishing
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins.