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A Comparative Study of Rock Art in Later Prehistoric Europe Richard Bradley

A Comparative Study of Rock Art in Later Prehistoric Europe By Richard Bradley

A Comparative Study of Rock Art in Later Prehistoric Europe by Richard Bradley


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Summary

In prehistoric Europe natural surfaces in the landscape were often painted or carved. It happened between the adoption of farming and the origins of the state, but these images are rarely integrated into wider accounts of prehistoric archaeology. This Element reviews new research and attempts to remedy this problem.

A Comparative Study of Rock Art in Later Prehistoric Europe Summary

A Comparative Study of Rock Art in Later Prehistoric Europe by Richard Bradley

The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.

Table of Contents

Introduction: Times and traditions; 1. Rock art in the Iberian Peninsula: images in contention; 2. Atlantic rock art: contacts with distant relations; 3. Alpine rock art: unity and diversity; 4. Rock art in Northern Europe: facing two ways; 5. Comparisons; Bibliography.

Additional information

NLS9781108794497
9781108794497
1108794491
A Comparative Study of Rock Art in Later Prehistoric Europe by Richard Bradley
New
Paperback
Cambridge University Press
2020-10-22
75
N/A
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