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An Introduction to Rigging in the Entertainment Industry
by Chris Higgs
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Improv for Actors
by Dan Diggles
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Verbatim, Verbatim
by Will Hammond
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Mastering Shakespeare
by Scott Kaiser
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Between Director and Actor
by Staniunas
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Latin Numbers
by Brian Eugenio Herrera
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Other People's Shoes
by Harriet Walter
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The Playwright's Manifesto
by Paul Sirett (, RADA, UK)
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Lessons -- The Craft of Acting
by Tom Isbell
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Hitting Your Mark
by Steve Carlson
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Physical Expression on Stage and Screen
by Bill Connington (Yale School of Drama, USA)
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Postdramatic Theatre
by Hans-Thies Lehmann (University of Frankfurt, Germany)
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The Monologue Workshop
by Jack Poggi
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New York's Yiddish Theater
by Edna Nahshon
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Theatre in Theory 1900-2000 - An Anthology
by D Krasner
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The Art of Auditioning
by Rob Decina
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Costume Design for the Stage
by Benz Anderson Anderson
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Let the Sun Shine in
by Miller
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Ghost Light: a Memoir
by Frank Rich
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Zoomy Zoomy
by Hannah Fox
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New Downtown Now
by Mac Wellman
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Shakespeare for One: Women
by Douglas Newell
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The Future of Ritual
by Richard Schechner
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Notes from the Rehearsal Room
by Nancy Meckler
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Anton Chekhov: Selected Stories
by Anton Chekhov
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Audition Monologs for Student Actors
by Roger Ellis
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From Word to Play: A Handbook for Directors
by Cicely Berry
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The House in Scarsdale
by Dan O'Brien
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Directing the Action
by Charles Marowitz
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The Complete Stanislavsky Toolkit
by Bella Merlin (Exeter University UK)
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Four Arab American Plays
by Michael Malek Najjar
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How To Do Accents
by Edda Sharpe
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Cephalonegativity
by Mike Corrao
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Mis-directing the Play
by Terry McCabe
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Aluminium Structures in the Entertainment Industry
by Peter Hind
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Acting Shakespeare's Language
by Andy Hinds
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Playgoing in Shakespeare's London
by Andrew Gurr (University of Reading)
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Theatre Histories
by Phillip B. Zarrilli (University of Exeter, UK)
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A Chronicle of Small Beer
by Winifred Dolan
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Greek Drama and Dramatists
by Alan H. Sommerstein (University of Nottingham, UK)
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Cabaret Secrets
by Gary Williams
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Films of Ginger Rogers
by Homer C Dickens
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A Guide to Keith Johnstone's Maestro Impro(TM)
by Keith Johnstone
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The 101 Greatest Plays
by Michael Billington
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What We Do - Working in the Theatre
by Bo Metzler
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The Essentials of Theater
by Lisa Mulcahy
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Psychophysical Acting
by Phillip B. Zarrilli (University of Exeter, UK)
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Costume Craftwork on a Budget
by Tan Huaixiang (Tenured Associate Professor in Costume and Makeup Design, University of Central Florida's Conservatory Theatre, Orlando)
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