The Aesthetics of Resistance, Volume I
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The Aesthetics of Resistance, Volume I by Peter Weiss
Regarded by many as one of the leading works of this century, this novel documents the resistance to fascism in Europe (and within Germany) during WWII.
“The Aesthetics of Resistance is centrally important to any kind of assessment of twentieth-century German history”—James Rolleston, editor of A Companion to the Works of Franz Kafka
"For the right reader, The Aesthetics of Resistance offers unique rewards. The West’s literary memory of twentieth- century communism was largely shaped by ex- and anti-Communist writers like Arthur Koestler, Alexander Solzhenitsyn, Czesław Miłosz, and George Orwell, who saw it as inimical to spiritual and intellectual life. Weiss makes a passionate case to the contrary, arguing that for the poor and oppressed, communism offered a key to spiritual and intellectual realms from which they had been historically excluded. But he is also acutely aware that the humanistic, emancipatory communism of his dreams had a foe in the actual Soviet Communist Party, with its demand for total submission to an ever-changing ideological line. Balancing hope against reality, Weiss’s novel tries to carry out the critique-from-within he outlined in his 'Ten Working Points' essay." -- Adam Kirsch * New York Review of Books *
“[The Aesthetics of Resistance,] which [Peter Weiss] began when he was well over fifty, making a pilgrimage over the arid slopes of cultural and contemporary history in the company of pavor nocturnus, the terror of the night, and laden with a monstrous weight of ideological ballast, is a magnum opus which sees itself . . . not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time.”—W. G. Sebald, On the Natural History of Destruction
"For the reader, The Aesthetics of Resistance, Volume I is as much an act of political memory and learning as it is for the novel’s narrator. . . . Cerebral and absorbing. . . ." -- Sean Sheehan * Popmatters *
"The Aesthetics of Resistance writes those who have been culturally and historically excluded back into the story of their time and demands—as modernism does—that we learn to read in a new way. . . . The monuments of modernism today rise like Ozymandias’ statue in the sand: Ulysses, Proust, Beckett, Pound’s Cantos, The Making of Americans, The Waste Land. At last, we have an English translation of a work that stands alongside them." -- Robert Buckeye * Review of Contemporary Fiction *
"At once a compeling tale of that resistance and an informative leftist history of the period it is situated in, Weiss’s Aesthetics of Resistance is not just his piéce de résistance, but a piéce de résistance of the twentieth century." -- Ron Jacobs * Counterpunch *
"[O]ne of the most significant works of postwar German literature. . . . The novel feels like an endless soliloquy on a bare stage, but one that takes the audience on the most amazingly imaginative time-and-space journey, with the narrative perspective cutting like a movie director's camera from one intensely rendered visual detail to the next. . . . [E]xhilaratingly strange, compelling, and original. Readers who dare to enter this demanding verbal landscape will not come away empty-handed." -- Mark M. Anderson * Bookforum *
"For the right reader, The Aesthetics of Resistance offers unique rewards. The West’s literary memory of twentieth- century communism was largely shaped by ex- and anti-Communist writers like Arthur Koestler, Alexander Solzhenitsyn, Czesław Miłosz, and George Orwell, who saw it as inimical to spiritual and intellectual life. Weiss makes a passionate case to the contrary, arguing that for the poor and oppressed, communism offered a key to spiritual and intellectual realms from which they had been historically excluded. But he is also acutely aware that the humanistic, emancipatory communism of his dreams had a foe in the actual Soviet Communist Party, with its demand for total submission to an ever-changing ideological line. Balancing hope against reality, Weiss’s novel tries to carry out the critique-from-within he outlined in his 'Ten Working Points' essay." -- Adam Kirsch * New York Review of Books *
“[The Aesthetics of Resistance,] which [Peter Weiss] began when he was well over fifty, making a pilgrimage over the arid slopes of cultural and contemporary history in the company of pavor nocturnus, the terror of the night, and laden with a monstrous weight of ideological ballast, is a magnum opus which sees itself . . . not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time.”—W. G. Sebald, On the Natural History of Destruction
"For the reader, The Aesthetics of Resistance, Volume I is as much an act of political memory and learning as it is for the novel’s narrator. . . . Cerebral and absorbing. . . ." -- Sean Sheehan * Popmatters *
"The Aesthetics of Resistance writes those who have been culturally and historically excluded back into the story of their time and demands—as modernism does—that we learn to read in a new way. . . . The monuments of modernism today rise like Ozymandias’ statue in the sand: Ulysses, Proust, Beckett, Pound’s Cantos, The Making of Americans, The Waste Land. At last, we have an English translation of a work that stands alongside them." -- Robert Buckeye * Review of Contemporary Fiction *
"At once a compeling tale of that resistance and an informative leftist history of the period it is situated in, Weiss’s Aesthetics of Resistance is not just his piéce de résistance, but a piéce de résistance of the twentieth century." -- Ron Jacobs * Counterpunch *
"[O]ne of the most significant works of postwar German literature. . . . The novel feels like an endless soliloquy on a bare stage, but one that takes the audience on the most amazingly imaginative time-and-space journey, with the narrative perspective cutting like a movie director's camera from one intensely rendered visual detail to the next. . . . [E]xhilaratingly strange, compelling, and original. Readers who dare to enter this demanding verbal landscape will not come away empty-handed." -- Mark M. Anderson * Bookforum *
Peter Weiss (1916–1982) was a German playwright, novelist, filmmaker, and painter. His works include the plays The New Trial, also published by Duke University Press, and Marat/Sade and the novels The Shadow of the Body of the Coachman and The Conversation of the Three Walkers. He received West Germany’s most important literary award, the Georg BÜchner Prize, posthumously in 1982.
Joachim Neugroschel (1938-2011) was the translator of some two hundred books, including works by Franz Kafka, Marcel Proust, and Thomas Mann. He won three PEN translation awards and a French-American Foundation Translation Prize.
| SKU | Unavailable |
| ISBN 13 | 9780822335467 |
| ISBN 10 | 0822335468 |
| Title | The Aesthetics of Resistance, Volume I |
| Author | Peter Weiss |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Duke University Press |
| Year published | 2005-06-22 |
| Number of pages | 376 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |