American Genre Painting by Elizabeth Johns

American Genre Painting by Elizabeth Johns

Regular price
Checking stock...
Regular price
Checking stock...
Summary

Probing beneath the "everyday blissfulness" of American genre painting, Johns analyzes various works and reveals that these paintings did not reflect faith in the common man but served rather to reinforce feelings of superiority among political and social leaders of antebellum America.

The feel-good place to buy books
  • Free US shipping over $15
  • Buying preloved emits 41% less CO2 than new
  • Millions of affordable books
  • Give your books a new home - sell them back to us!

American Genre Painting by Elizabeth Johns

American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings—of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk—served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation—arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time.   Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices—and not a blissful celebration of American democracy—that informed the look and the richly ambiguous content of genre painting.
Johns, Elizabeth: -

National bestselling author Elizabeth Johns was first an avid reader, though she was a reluctant convert. It was Jane Austen's clever wit and unique turn of phrase that hooked Johns when she was forced to read Pride and Prejudice for a school assignment. She began writing when she ran out of her favorite author's books and decided to try her hand at crafting a Regency romance novel. Her journey into publishing began with the release of Surrender the Past, book one of the Loring-Abbott Series. Johns makes no pretensions to Austen's wit but hopes readers will perhaps laugh and find some enjoyment in her writing.

Johns attributes much of her inspiration to her mother, a retired English teacher. During their last summer together, Johns would sit on the porch swing and read her stories to her mother, who encouraged her to continue writing. Busy with multiple careers, including a professional job in the medical field, author and mother of small children, Johns squeezes in time for reading whenever possible.

SKU Unavailable
ISBN 13 9780300057546
ISBN 10 0300057547
Title American Genre Painting
Author Elizabeth Johns
Condition Unavailable
Binding Type Paperback
Publisher Yale University Press
Year published 1993-07-28
Number of pages 272
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.