The Big Sleep by David Thomson
Released in 1946, Howard Hawks' adaptation of Raymond Chandler reunited Bogart and Bacall and gave them two of their most famous roles. The mercurial but ever-manipulative Hawks dredged humour and happiness out of film noir. Give him a story about more murders than anyone can keep up with, or explain, David Thomson writes, and somehow he made a paradise. When it was first shown, The Big Sleep was coldly received. So, as Thomson reveals, Hawks shot extra scenes, fun scenes, to replace ones in which the films murders had been explained, and in so doing left the plot unresolved. If this was accidental, Thomson argues, it also signalled a change in the nature of the Hollywood cinema: The Big Sleep inaugurates a postmodern, camp, satirical view of movies being about other movies that extends to the New Wave and Pulp Fiction.
David Thomson is the author of, among other books, The Biographical Dictionary of Film (1975) and Rosebud (1997), a biography of Orson Welles.
| SKU | Unavailable |
| ISBN 13 | 9780851706320 |
| ISBN 10 | 0851706320 |
| Title | The Big Sleep |
| Author | David Thomson |
| Series | Bfi Film Classics |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Bloomsbury Publishing PLC |
| Year published | 1997-02-01 |
| Number of pages | 96 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |