
Blood on the Tides by Isidore Okpewho
PAPERBACK FOR SALE IN AFRICA ONLY Examines the Ozidi Saga -- one of Africa's best-known epics -- as an example of oral literature and as a reflection of the specific social and political concerns of the Niger Delta.-
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Simply put, few other scholars possess the experience, knowledge, creativity, and, indeed, moral courage to do what Isidore Okpewho does here* RESEARCH IN AFRICAN LITERATURES *
[T]here is much of value in his account of the interplay between narrator, musicians, and audience in the performance of Ozidi, as well as the more nuanced hegemony of Benin over Ijo culture. This book thus makes valuable contributions to a field in which Okpewho has long played a major role. * MODERN PHILOLOGY *
[I]t argues for the artistry of oral literary performances, and ultimately demonstrates that the epic of Ozidi, in effect the genre at large, transcends art, and makes a commentary on and offers an insight into the socio-politics of a people. * AFRICAN STUDIES QUARTERLY *
A labor of love from the distinguished expert on African oral literature, Isidore Okpewho. With sophisticated textual analysis, this work provides social, historical, and political context for The Ozidi Saga. A bonus is his concluding chapter, which not only historicizes but also contemporizes and globalizes the saga, bringing it into conversation with challenges facing contemporary Nigeria. -- -- Carole Boyce-Davies, Professor of English and Africana studies, Cornell University
Okpewho taught a generation of scholars to recognize the pleasures and pressures of the aesthetic impulse in African cultures. In this powerful new book, he continues to teach us. Blood on the Tides is a serene tour de force. -- -- Olakunle George,associate professor of English and Africana studies, Brown University
No one knows more, or has written more intelligently, about African oral and written narrative than Isidore Okpewho. In Blood on the Tides he brings together both traditions, along with his equally great knowledge of the cultural contexts from which both derive. Okpewo's book is a magnificent achievement, beautifully written and rich in traditional and scholarly wisdom. -- -- Bruce Jackson, SUNY Distinguished Professor and James Agee Professor of American Culture, SUNY Buffalo
In all the literature on epics, there is no broader and deeper account of the forces that shape a performance. The voices of the narrator, his chorus, and his audience combine to create a world that is partly mythic, partly historical, and partly contemporary in this masterpiece of the art of interpretation. -- -- Dennis Tedlock, author of 2000 Years of Mayan Literature
[T]here is much of value in his account of the interplay between narrator, musicians, and audience in the performance of Ozidi, as well as the more nuanced hegemony of Benin over Ijo culture. This book thus makes valuable contributions to a field in which Okpewho has long played a major role. * MODERN PHILOLOGY *
[I]t argues for the artistry of oral literary performances, and ultimately demonstrates that the epic of Ozidi, in effect the genre at large, transcends art, and makes a commentary on and offers an insight into the socio-politics of a people. * AFRICAN STUDIES QUARTERLY *
A labor of love from the distinguished expert on African oral literature, Isidore Okpewho. With sophisticated textual analysis, this work provides social, historical, and political context for The Ozidi Saga. A bonus is his concluding chapter, which not only historicizes but also contemporizes and globalizes the saga, bringing it into conversation with challenges facing contemporary Nigeria. -- -- Carole Boyce-Davies, Professor of English and Africana studies, Cornell University
Okpewho taught a generation of scholars to recognize the pleasures and pressures of the aesthetic impulse in African cultures. In this powerful new book, he continues to teach us. Blood on the Tides is a serene tour de force. -- -- Olakunle George,associate professor of English and Africana studies, Brown University
No one knows more, or has written more intelligently, about African oral and written narrative than Isidore Okpewho. In Blood on the Tides he brings together both traditions, along with his equally great knowledge of the cultural contexts from which both derive. Okpewo's book is a magnificent achievement, beautifully written and rich in traditional and scholarly wisdom. -- -- Bruce Jackson, SUNY Distinguished Professor and James Agee Professor of American Culture, SUNY Buffalo
In all the literature on epics, there is no broader and deeper account of the forces that shape a performance. The voices of the narrator, his chorus, and his audience combine to create a world that is partly mythic, partly historical, and partly contemporary in this masterpiece of the art of interpretation. -- -- Dennis Tedlock, author of 2000 Years of Mayan Literature
ISIDORE OKPEWHO is Distinguished Professor of Africana Studies, English, and Comparative Literature at Binghamton University (SUNY). He is the author of The Epic in Africa, Myth in Africa, African Oral Literature, and Once Upon a Kingdom. An award-winning novelist, he has published four titles: The Victims, The Last Duty, Tides, and Call Me By My Rightful Name.
| SKU | Unavailable |
| ISBN 13 | 9781580465113 |
| ISBN 10 | 1580465110 |
| Title | Blood on the Tides |
| Author | Isidore Okpewho |
| Series | Rochester Studies In African History And The Diaspora |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Boydell and Brewer |
| Year published | 2014-07-01 |
| Number of pages | 292 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |





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