Cinemasaurus by Nancy Condee
Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume's contributors--the new generation of US scholars studying Russian cinema--examine four issues of Russia's transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia's uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context.
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Dziga Vertov
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Talking Movies Contemporary World Filmmakers in Interview
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The Hollywood Story to Know About the American Movie Business but
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The Haunted Present
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Parallel Realities in Russian and Ukrainian Contemporary Cinema
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Film’s Feisty Femmes
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She Animates
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Image and Identity
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The Contemporary Russian Cinema Reader
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Russian TV Series in the Era of Transition
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Canadian Television
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The Gendered Screen
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The Radio Eye
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Cinema and Social Change in Germany and Austria
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The Legacies of Jean-Luc Godard
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Detecting Canada
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Two Bicycles
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Stan Brakhage in Rolling Stock, 1980-1990
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Making Feminist Media
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Music in Range
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Dada, Surrealism, and the Cinematic Effect
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Cubism and Futurism
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He Was Some Kind of a Man
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Reverse Shots
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Harmony and Dissent
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Feeling Canadian
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Programming Reality
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Singing a Different Tune
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| Title | Cinemasaurus |
| Author | Nancy Condee |
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| Condition | Unavailable |
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| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
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