

Sonic Thinking by Bernd Herzogenrath
Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge readers to re-adjust their ideas of Sound Studies by attempting to think not only about sound [by external criteria, such as (cultural) meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a ‘form of thinking’; and in bringing this approach into a fertile symbiosis with the concepts and practices of ‘artistic research’: art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. Including contributions by both established figures and younger scholars working on cutting edge material, and weaving artistic responses and interventions in between the more theoretical texts, Herzogenrath's collection provides a lively introduction to a fresh debate.-
The Rustling Image
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Frictionlessness
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Towards a Film Theory from Below
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Relational Technologies
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A Cinematic Mode of Existence
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The New-Wave Cinema
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Society After Money
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Videographic Cinema
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Imperfections
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Disrupted Intersubjectivity
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Technologos in Being
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Eigenvalue
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Work in Progress
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concepts
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Media Matter
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Miscommunications
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Skepticism Films
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The Switch Image
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The Emerging Contours of the Medium
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Disformations
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Brainmedia
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Anthropologies of Entanglements
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Technológos in Being
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Sound Affects
| SKU | Unavailable |
| ISBN 13 | |
| ISBN 10 | |
| Title | Sonic Thinking |
| Author | Bernd Herzogenrath |
| Series | |
| Condition | Unavailable |
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| Year published | |
| Number of pages | |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |
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