Breasts and Eggs by Mieko Kawakami
So amazing it took my breath away' Haruki Murakami, international bestselling author of The Wind-Up Bird Chronicles Breasts and Eggs explores the inner conflicts of an adolescent girl who refuses to communicate with her mother except through writing. Through the story of these women, Kawakami paints a portrait of womanhood in contemporary Japan, probing questions of gender and beauty norms and how time works on the female body. Breast and Eggs is a thrilling English language debut from Japan's brightest young talent, Mieko Kawakami.
I can never forget the sense of pure astonishment I felt when I first read Mieko Kawakami’s novella Breasts and Eggs . . breathtaking . . . Mieko Kawakami is always ceaselessly growing and evolving. Perhaps someday she will return to the nearly perfect, natural primal world of Breasts and Eggs. -- Haruki Murakami, author of The Wind-Up Bird Chronicles
As if traced before our eyes, objects close at hand are rendered with uncommon precision. An incredible display of nonchalance backed by careful diction. -- Yoko Ogawa, author of The Memory Police
Kawakami's prose is bold, modern, and surprising. Breasts and Eggs is a moving story about womanhood and modern life told through the lens of a supremely confident writer. -- An Yu, author of Braised Pork
Breasts and Eggs will appeal to readers who delight in finding the female intellect prioritized on the page; if you like Sheila Heti, you'll love Mieko Kawakami. * NPR *
The tension between having children and creating art propel a dazzling intellectual thriller by a new Japanese literary star . . . Breasts and Eggs remains a stunning work of iridescence, changing with the light. For good reason this promises to be one of the most talked-about novels of the year. * Financial Times *
Breasts and Eggs is stunning - its rage, wry humour and nihilism rendered with real care. It's compelling too, and yet nearly every page gave me reason to pause, realising that some tiny stitch in the fabric of everyday life as a woman had been unceremoniously unpicked. -- Olivia Sudjic, author of Sympathy
Breasts and Eggs is incredible and propulsive: deadpan on modern femininity, tilting between intimate relationships and sweeping views of Tokyo and Osaka, and abundantly peopled with characters who have lots to say. One to get lost in. -- Naoise Dolan, author of Exciting Times
Already a literary sensation . . . Kawakami writes with unsettling precision about the body — its discomforts, its appetites, its smells and secretions. And she is especially good at capturing its longings, those in this novel being at once obsessive and inchoate, and in one way or another about transformation . . . she regularly drops phrases that made me giddy with pleasure. -- Katie Kitamura * New York Times *
I’ve nearly finished Mieko Kawakami’s Breasts and Eggs, about a working-class Japanese woman making her way, or not, with friends, her sister and her niece in modern Tokyo. It’s fierce and sweet and I would like the rest of Kawakami’s work translated, please. -- Sarah Moss, author of Summerwater, in The Times
Breasts and Eggs unwraps with great care the puzzle of being alive today, inviting us to challenge how we think and deepen how we feel. Mieko Kawakami is a writer of rare candour and brilliance. -- Rónán Hession, author of Leonard and Hungry Paul
An original and deeply moving novel—that is by turns hilarious, sexy, devastating, and always unforgettable. Breasts and Eggs crackles with provocative insights into the passage of time, friendship, money, and the pleasures and pains of living in a body. I found myself pausing regularly to marvel at Mieko Kawakami’s gift for seeking out the caverns hidden deep within her characters and shining a light there. This book is a gift. -- Laura van den Berg, author of The Third Hotel
One of Japan’s brightest stars is set to explode across the global skies of literature . . . Kawakami is both a writer’s writer and an entertainer, a thinker and constantly evolving stylist who manages to be highly readable and immensely popular. * Japan Times *
Mieko Kawakami lobbed a literary grenade into the fusty, male-dominated world of Japanese fiction with 'Chichi to Ran'('Breasts and Eggs') * Economist *
Kawakami is emerging as one of Japan’s most prominent young literary voices, with thoughtfulness and eccentricity at the heart of her prose. * Culture Trip *
So finely crafted, every few lines could be a haiku, and you almost forget how difficult it must have been to create something so perfectly simple. And when you notice the clarity, meditativeness, eccentricity, quirk and wit in her writing, you immediately understand how Murakami could be inspired by a writer like this. -- Praise for Ms Ice Cream Sandwich * Ladies Finger *
The novel details the lives of three women: the 30-year-old unmarried narrator, her older sister Makiko, who’s obsessed with getting breast implants and her daughter, Midoriko. With humour and compassion, Kawakami explores female oppression in Japan, reproduction rights and motherhood. * Now Magazine *
Originally published in Mieko Kawakami’s native Japanese, the author’s stellar 2008 novel Breast and Eggs is being translated to English for the first time ever this month, opening her bold writing up to a wider audience. * Dazed and Confused *
It is Tokyo as it is lived in, not a film set * New York Times *
As if traced before our eyes, objects close at hand are rendered with uncommon precision. An incredible display of nonchalance backed by careful diction. -- Yoko Ogawa, author of The Memory Police
Kawakami's prose is bold, modern, and surprising. Breasts and Eggs is a moving story about womanhood and modern life told through the lens of a supremely confident writer. -- An Yu, author of Braised Pork
Breasts and Eggs will appeal to readers who delight in finding the female intellect prioritized on the page; if you like Sheila Heti, you'll love Mieko Kawakami. * NPR *
The tension between having children and creating art propel a dazzling intellectual thriller by a new Japanese literary star . . . Breasts and Eggs remains a stunning work of iridescence, changing with the light. For good reason this promises to be one of the most talked-about novels of the year. * Financial Times *
Breasts and Eggs is stunning - its rage, wry humour and nihilism rendered with real care. It's compelling too, and yet nearly every page gave me reason to pause, realising that some tiny stitch in the fabric of everyday life as a woman had been unceremoniously unpicked. -- Olivia Sudjic, author of Sympathy
Breasts and Eggs is incredible and propulsive: deadpan on modern femininity, tilting between intimate relationships and sweeping views of Tokyo and Osaka, and abundantly peopled with characters who have lots to say. One to get lost in. -- Naoise Dolan, author of Exciting Times
Already a literary sensation . . . Kawakami writes with unsettling precision about the body — its discomforts, its appetites, its smells and secretions. And she is especially good at capturing its longings, those in this novel being at once obsessive and inchoate, and in one way or another about transformation . . . she regularly drops phrases that made me giddy with pleasure. -- Katie Kitamura * New York Times *
I’ve nearly finished Mieko Kawakami’s Breasts and Eggs, about a working-class Japanese woman making her way, or not, with friends, her sister and her niece in modern Tokyo. It’s fierce and sweet and I would like the rest of Kawakami’s work translated, please. -- Sarah Moss, author of Summerwater, in The Times
Breasts and Eggs unwraps with great care the puzzle of being alive today, inviting us to challenge how we think and deepen how we feel. Mieko Kawakami is a writer of rare candour and brilliance. -- Rónán Hession, author of Leonard and Hungry Paul
An original and deeply moving novel—that is by turns hilarious, sexy, devastating, and always unforgettable. Breasts and Eggs crackles with provocative insights into the passage of time, friendship, money, and the pleasures and pains of living in a body. I found myself pausing regularly to marvel at Mieko Kawakami’s gift for seeking out the caverns hidden deep within her characters and shining a light there. This book is a gift. -- Laura van den Berg, author of The Third Hotel
One of Japan’s brightest stars is set to explode across the global skies of literature . . . Kawakami is both a writer’s writer and an entertainer, a thinker and constantly evolving stylist who manages to be highly readable and immensely popular. * Japan Times *
Mieko Kawakami lobbed a literary grenade into the fusty, male-dominated world of Japanese fiction with 'Chichi to Ran'('Breasts and Eggs') * Economist *
Kawakami is emerging as one of Japan’s most prominent young literary voices, with thoughtfulness and eccentricity at the heart of her prose. * Culture Trip *
So finely crafted, every few lines could be a haiku, and you almost forget how difficult it must have been to create something so perfectly simple. And when you notice the clarity, meditativeness, eccentricity, quirk and wit in her writing, you immediately understand how Murakami could be inspired by a writer like this. -- Praise for Ms Ice Cream Sandwich * Ladies Finger *
The novel details the lives of three women: the 30-year-old unmarried narrator, her older sister Makiko, who’s obsessed with getting breast implants and her daughter, Midoriko. With humour and compassion, Kawakami explores female oppression in Japan, reproduction rights and motherhood. * Now Magazine *
Originally published in Mieko Kawakami’s native Japanese, the author’s stellar 2008 novel Breast and Eggs is being translated to English for the first time ever this month, opening her bold writing up to a wider audience. * Dazed and Confused *
It is Tokyo as it is lived in, not a film set * New York Times *
Mieko Kawakami is the author of the internationally bestselling novel Breasts and Eggs, a New York Times Notable Book of the Year and one of TIME’s Best 10 Books of 2020, and the highly-acclaimed Heaven, her second novel to be translated and published in English, which Oprah Daily described as written “with jagged, visceral beauty.” Born in Osaka, Japan, Kawakami made her literary debut as a poet in 2006, and in 2007 published her first novella, My Ego, My Teeth, and the World. Known for their poetic qualities, their insights into the female body, and their preoccupation with ethics and modern society, her books have been translated into over twenty languages. Kawakami’s literary awards include the Akutagawa Prize, the Tanizaki Prize, and the Murasaki Shikibu Prize. She lives in Tokyo, Japan. Sam Bett studied Japanese at UMass-Amherst and Kwansei Gakuin University. Awarded the Grand Prize in the 2016 JLPP International Translation Competition, he has translated fiction by Yoko Ogawa, Yukio Mishima, and Nisio Isin. He is currently co-translating with David Boyd the novels of Mieko Kawakami. David Boyd is Assistant Professor of Japanese at the University of North Carolina at Charlotte. He is the winner of the 2017/2018 Japan–U.S. Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature for his translation of Hideo Furukawa’s Slow Boat (Pushkin Press, 2017). With Sam Bett, he is currently co-translating the novels of Mieko Kawakami.
| SKU | Unavailable |
| ISBN 13 | 9781509898206 |
| ISBN 10 | 1509898204 |
| Title | Breasts and Eggs |
| Author | Mieko Kawakami |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Pan Macmillan |
| Year published | 2020-08-20 |
| Number of pages | 432 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |