
Captivity and Creativity by Donato Somma
A groundbreaking volume that represents the first examination of cultural production amongst Italian prisoners of war
Captivity and Creativity explores the artistic and material production by Italian prisoners of war (POWs) and some civilian internees who were captured by the Western Allies in 1940–43 and detained in prison camps scattered across Africa, Australia, India, the United Kingdom, and the United States during World War II. Twelve chapters discuss from different theoretical and historical angles the various artistic activities (e.g., theatre, music, visual arts, architecture, chapels, and material objects), technical contributions (e.g., maps, photography, radio), writings (e.g., memoirs, diaries, letters, and fiction), as well as the documentary evidence that resulted from the diverse experiences and transnational exchanges between the prisoners and their captors as military personnel and local civilian populations in different parts of the globe between 1940 and 1947.
The book describes the prisoners’ economic importance for the Western Allied powers in their war effort to fight Nazi-Fascism and the enforced diaspora through which POWs were moved across different allied countries. It analyzes the prisoners’ daily camp life, work, and treatment before and after the 1943 Armistice, when POWs were asked to sign an agreement to renounce Fascism and become cooperators of war, underlining the different treatment reserved for cooperators of war and noncooperators of war. The book also investigates the legacy of the prisoners’ artistic and material production, the cultural heritage and the practices of memorialization (e.g., photography, monuments, museums, anniversary celebrations, exhibits) that have derived from the Italian presence in camps in different countries up to this date, through reference to groups and communities that preserve that heritage.
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The Concentration Camp Brothel
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Hungary in World War II
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Red Tail Captured, Red Tail Free
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Forgotten Casualties
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Against Redemption
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The Popes on Air
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A Pact with Vichy
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War Pictures
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Life Behind Barbed Wire
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Breaking Point
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The General and His Daughter
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Allied Encounters
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Between the Bylines
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Writing Against Infamy
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France During World War II
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The Diary of Prisoner 17326
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Army GI, Pacifist CO
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America's Japan
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The United States and the Second World War
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The World War II Bond Campaign
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Kill–Do not Release
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Shots in the Dark
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KillDo not Release
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Beachhead Don
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Voices of My Comrades
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Shadows of Nagasaki
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Reporting World War II
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Beyond Hostile Islands
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Latvia in World War II
Giorgia Alù is Chair of Italian Studies at the University of Sydney. She is the author of Journeys Exposed: Women’s Writing, Mobility, and Photography and co-editor of Enlightening Encounters: Italian Literature and Photography.
Elena Bellina (Edited By)
Elena Bellina is Visiting Assistant Clinical Professor in Italian Studies at New York University. Her research and publications focus on war and captivity studies, cultural memory, autobiographical writing, and the performing arts.
| SKU | Unavailable |
| ISBN 13 | 9781531513597 |
| Title | Captivity and Creativity |
| Author | Donato Somma |
| Series | World War Ii: The Global Human And Ethical Dimension |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Fordham University Press |
| Year published | 2026-07-07 |
| Number of pages | 432 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




























