
The Catcher in the Rye and Philosophy by Keith Dromm
Few novels have had more influence on individuals and literary culture than J.D. Salinger's The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel's protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker's Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel). One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger's attention to the nuances and qualities of experience in the modern world. Coupled with Salinger's deft subjective, first-person style, Holden comes to seem more real than any fictional character should. This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger's attention to lived, as opposed to theorized, experience. Holden's preoccupation with "phonies," along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt's recently celebrated analysis of "bullshit." Per Salinger's request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger's death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.-
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The Matrix and Philosophy
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Seinfeld and Philosophy
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Buffy the Vampire Slayer and Philosophy
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The Lord of the Rings and Philosophy
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The Sopranos and Philosophy
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Star Wars and Philosophy
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Harry Potter and Philosophy
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Breaking Bad and Philosophy
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The Legend of Zelda and Philosophy
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Doctor Who and Philosophy
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Twin Peaks and Philosophy
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Monty Python and Philosophy
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Star Trek and Philosophy
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Hannibal Lecter and Philosophy
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Dungeons and Dragons and Philosophy
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The Man in the High Castle and Philosophy
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His Dark Materials and Philosophy
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South Park and Philosophy
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Jimmy Buffett and Philosophy
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How I Met Your Mother and Philosophy
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Mr. Robot and Philosophy
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The Grateful Dead and Philosophy
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Pink Floyd and Philosophy
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Rick and Morty and Philosophy
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RuPaul's Drag Race and Philosophy
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SpongeBob SquarePants and Philosophy
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The Walking Dead and Philosophy
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Discworld and Philosophy
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Bruce Springsteen and Philosophy
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Jurassic Park and Philosophy
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Stranger Things and Philosophy
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American Horror Story and Philosophy
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The Chronicles of Narnia and Philosophy
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Louis C.K. and Philosophy
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It's Always Sunny and Philosophy
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Bullshit and Philosophy
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The Ultimate Walking Dead and Philosophy
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James Bond and Philosophy
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Mr. Monk and Philosophy
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Anime and Philosophy
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Quentin Tarantino and Philosophy
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The Beatles and Philosophy
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Zombies, Vampires, and Philosophy
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Led Zeppelin and Philosophy
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1984 and Philosophy
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Superheroes and Philosophy
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Soccer and Philosophy
Keith Dromm is Associate Professor of Philosophy at Louisiana Scholars' College, Northwestern State University and author Wittgenstein on Rules and Nature (2008). Heather Salter is Instructor in the Department of Language and Communication at Northwestern State University in Louisiana
| SKU | Unavailable |
| ISBN 13 | 9780812698008 |
| ISBN 10 | 0812698002 |
| Title | The Catcher in the Rye and Philosophy |
| Author | Keith Dromm |
| Series | Popular Culture And Philosophy |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Open Court Publishing Co ,U.S. |
| Year published | 2012-11-22 |
| Number of pages | 288 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |
















































