The Collected Stories of Shirley Hazzard
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The Collected Stories of Shirley Hazzard by Shirley Hazzard
'Shirley Hazzard is, purely and simply, one of the greatest writers working in the English today' (Michael Cunningham). Now at last comes the first complete book of her short stories, including those previously uncollected.
Shirley Hazzard is an author for whom there just aren't praises high enoughWise, elegant, generous, moving - to finish reading a book of hers is to feel bereft of something sublime -- Sarah Waters
The Australian-American writer's short fiction is full of precisely observed studies of thwarted connection . . . Often by portraying its absence, these stories assert the importance of true connection, in the elegant, scalpel-sharp prose for which Hazzard has been admired since her earliest work . . . the collection offers a fine introduction to a remarkable writer who deserves to go on finding new readers * Guardian (Book of the day) *
Hazzard's stories feel timeless because she understands, as she writes in one of them: "We are human beings, not rational ones." -- Dwight Garner * New York Times *
The distinctive and exacting fiction of Shirley Hazzard (1931-2016) has not lacked advocates. Her output wasn't large - just four novels and two volumes of short stories, together with non-fiction including memoirs, essays and travel writing - but her two finest novels, The Transit of Venus (1980) and The Great Fire (2003), won major prizes and have not been forgotten... This definitive collection of Hazzard's short stories is a welcome reminder of her remarkable talent -- Dinah Birch * Times Literary Supplement *
Shirley Hazzard is a perfectionist's writer.... [her stories are] slender yet solid, consummate, as fascinated and affected by the mysteries of experience as they are self-assured ... Her writing requires the sort of sustained attention she believed art deserved, but her relationship with her reader is always reciprocal: she doesn't create mystery but reveals its vital place in life -- Lauren Oyler * Harper's Review *
Often by portraying its absence, these stories assert the importance of true connection, in the elegant, scalpel-sharp prose for which Hazzard has been admired since her earliest work... the collection offers a fine introduction to a remarkable writer who deserves to go on finding new readers. -- Stephanie Merritt * The Observer *
Now, finally, her clear-headed brilliance seems to be on a steep upward popularity curve ... Reading the stories together is a treat ... Hazzard's is the sparky, considered voice of a world-class observer of humanity -- Isabel Berwick * Financial Times *
Hazzard understood the human condition in all its contradiction, all its messiness, like few others. Collected Stories is certainly essential for admirers of the author, but it's also a wonderful read for anyone who loves fiction that delights and enlightens, challenges and rewards * Boston Globe *
And what an exquisitely polished writer [Hazzard] was, at once serious and bitingly funny, a master of both the plush, well-rounded sentence and the oblique takedown. Not for Hazzard the stripped-down prose and catchy conversational style that were already coming into vogue when these stories were written * LA Times *
Cosmopolitan in location, exquisitely executed, and glinting with the sort of keen wit and perception found in the fiction of Margaret Drabble and Elizabeth Bowen, Hazzard's stories are startlingly fresh and revealing in their poise, sting, and compassion -- Mia Levitin * Irish Times *
The Australian-American writer's short fiction is full of precisely observed studies of thwarted connection . . . Often by portraying its absence, these stories assert the importance of true connection, in the elegant, scalpel-sharp prose for which Hazzard has been admired since her earliest work . . . the collection offers a fine introduction to a remarkable writer who deserves to go on finding new readers * Guardian (Book of the day) *
Hazzard's stories feel timeless because she understands, as she writes in one of them: "We are human beings, not rational ones." -- Dwight Garner * New York Times *
The distinctive and exacting fiction of Shirley Hazzard (1931-2016) has not lacked advocates. Her output wasn't large - just four novels and two volumes of short stories, together with non-fiction including memoirs, essays and travel writing - but her two finest novels, The Transit of Venus (1980) and The Great Fire (2003), won major prizes and have not been forgotten... This definitive collection of Hazzard's short stories is a welcome reminder of her remarkable talent -- Dinah Birch * Times Literary Supplement *
Shirley Hazzard is a perfectionist's writer.... [her stories are] slender yet solid, consummate, as fascinated and affected by the mysteries of experience as they are self-assured ... Her writing requires the sort of sustained attention she believed art deserved, but her relationship with her reader is always reciprocal: she doesn't create mystery but reveals its vital place in life -- Lauren Oyler * Harper's Review *
Often by portraying its absence, these stories assert the importance of true connection, in the elegant, scalpel-sharp prose for which Hazzard has been admired since her earliest work... the collection offers a fine introduction to a remarkable writer who deserves to go on finding new readers. -- Stephanie Merritt * The Observer *
Now, finally, her clear-headed brilliance seems to be on a steep upward popularity curve ... Reading the stories together is a treat ... Hazzard's is the sparky, considered voice of a world-class observer of humanity -- Isabel Berwick * Financial Times *
Hazzard understood the human condition in all its contradiction, all its messiness, like few others. Collected Stories is certainly essential for admirers of the author, but it's also a wonderful read for anyone who loves fiction that delights and enlightens, challenges and rewards * Boston Globe *
And what an exquisitely polished writer [Hazzard] was, at once serious and bitingly funny, a master of both the plush, well-rounded sentence and the oblique takedown. Not for Hazzard the stripped-down prose and catchy conversational style that were already coming into vogue when these stories were written * LA Times *
Cosmopolitan in location, exquisitely executed, and glinting with the sort of keen wit and perception found in the fiction of Margaret Drabble and Elizabeth Bowen, Hazzard's stories are startlingly fresh and revealing in their poise, sting, and compassion -- Mia Levitin * Irish Times *
Shirley Hazzard (1931-2016) was born in Australia and travelled the world during her early years, a result of her parents' diplomatic postings. In 1947, at the age of sixteen, she was engaged by British intelligence to monitor the civil war in China. At twenty, she moved to New York, working for the United Nations throughout much of the 1950s, which included a posting to Naples. Muriel Spark introduced her to the translator and biographer Francis Steegmuller, whom Hazzard married in 1963. Her novels The Bay of Noon (1971) and The Transit of Venus (1981) were National Book Award finalists, while her last novel, The Great Fire, won the 2003 National Book Award, Miles Franklin Award and was shortlisted for the Women's Prize for Fiction. She was also the author of two collections of short stories, and several works of nonfiction including the memoir Greene on Capri.
| SKU | Unavailable |
| ISBN 13 | 9780349012971 |
| ISBN 10 | 0349012970 |
| Title | The Collected Stories of Shirley Hazzard |
| Author | Shirley Hazzard |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Little, Brown Book Group |
| Year published | 2021-10-07 |
| Number of pages | 368 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |