
The Collector of Lives by Noah Charney
A narrative of intrigue, gossip and colourful artistic rivalry, The Collector of Lives presents a lively introduction to a seminal figure in the very human story of art itself.
"The authors' greatest service to their subject is to reestablish him as a tireless artist and a central witness to an epic period of Italian history" -- Michael Prodger - The Sunday Times
"... an insightful and gripping new book... Ms Rowland and Mr Charney draw a panoramic view of the art-world during the Renaissance, placing Vasari at the centre... This is an important book and long awaited. The authors have done a commendable job of returning to his rightful place the man who inflated the reputation of art and artists so successfully that he himself was squeezed out of the picture." -- The Economist
"... absorbing... a page-turningly compelling overview of Giorgio Vasari and his age…" -- Literary Review
"Ingrid Rowland and Noah Charney give full measure to his [Georgio Vasari's] artistic skills (and the diplomatic adroitness he needed to exercise them) and place him again at the centre of 16th-century Italian art." -- Michael Prodger, Art Books of the Year 2017 - The Sunday Times
"Ingrid Rowland, a prominent scholar of Renaissance art and history, and her fellow writer and historian Noah Charney, wear their erudition lightly in their gracefully written biography." -- Deborah Solomon - New York Times Book Review
"Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages. This is a lively, highly readable point of entry into an important and fascinating text." -- Cammy Brothers - The Wall Street Journal
"[Rowland and Charney's] account of Vasari’s Tuscany, and of the facts (and fictions) that went into his “Lives,” is a fitting tribute to their subject’s biographical achievements." -- The New Yorker
"... an insightful and gripping new book... Ms Rowland and Mr Charney draw a panoramic view of the art-world during the Renaissance, placing Vasari at the centre... This is an important book and long awaited. The authors have done a commendable job of returning to his rightful place the man who inflated the reputation of art and artists so successfully that he himself was squeezed out of the picture." -- The Economist
"... absorbing... a page-turningly compelling overview of Giorgio Vasari and his age…" -- Literary Review
"Ingrid Rowland and Noah Charney give full measure to his [Georgio Vasari's] artistic skills (and the diplomatic adroitness he needed to exercise them) and place him again at the centre of 16th-century Italian art." -- Michael Prodger, Art Books of the Year 2017 - The Sunday Times
"Ingrid Rowland, a prominent scholar of Renaissance art and history, and her fellow writer and historian Noah Charney, wear their erudition lightly in their gracefully written biography." -- Deborah Solomon - New York Times Book Review
"Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages. This is a lively, highly readable point of entry into an important and fascinating text." -- Cammy Brothers - The Wall Street Journal
"[Rowland and Charney's] account of Vasari’s Tuscany, and of the facts (and fictions) that went into his “Lives,” is a fitting tribute to their subject’s biographical achievements." -- The New Yorker
Noah Charney is an internationally best-selling author and professor of art history living in Slovenia. Ingrid Rowland is an award-winning author, a regular contributor to the New York Review of Books, and a professor of history, classics, art, and architecture at the University of Notre Dame, based in Rome.
| SKU | Unavailable |
| ISBN 13 | 9780393356366 |
| ISBN 10 | 0393356361 |
| Title | The Collector of Lives |
| Author | Noah Charney |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | WW Norton & Co |
| Year published | 2018-11-20 |
| Number of pages | 432 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |