Colouring the Caribbean by Mia L Bagneris
The first monographic study of the painter Agostino Brunias, this book offers a compelling, original analysis of his representation of race in the British colonial West Indies, reconsidering the way in which the artists oeuvre has previously been understood. -- .-
After-affects | after-images
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Otherwise
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The 'do-it-yourself' artwork
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Performance Art and Revolution
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Engendering an Avant-Garde
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Art + Archive
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Performance art in Eastern Europe since 1960
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I am Jugoslovenka!
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The Matter of Miracles
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Art, Museums and Touch
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Multiple and One
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Transcultural things and the spectre of Orientalism in early modern Poland-Lithuania
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Counter-realism
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Caribbean eco-aesthetics
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Contemporary art and ecological transformation in East and Southeast Asia
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Marks she made
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Abnormal peripheries
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Lesbian bones
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Walking with the enemy
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Photographic afterlives
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Taking place
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Feminist substances
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The art of decolonisation
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Above Sea
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Vertiginous Mirrors
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Women, the Arts and Globalization
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Productive Failure
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Bound Together
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Architecture and Ekphrasis
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There is No Soundtrack
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Staging Art and Chineseness
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The Ecological Eye
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The Paradox of Body, Building and Motion in Seventeenth-Century England
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Photography and Documentary Film in the Making of Modern Brazil
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The Synthetic Proposition
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Art, Global Maoism and the Chinese Cultural Revolution
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The Face of Medicine
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Gender, Artwork and the Global Imperative
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Flesh Cinema
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Horizontal Together
‘In her lush visual analyses, Bagneris artfully deploys twenty-first century language to describe eighteenth-century pictures—a mixed-race planter is “dressed to beat the heat”; skin tones range from “dark chocolate” to “vanilla cream”; and some figures may be “pale, but, then again, not as pale as all that” (1, 157, 2–3)—as if to remind us that Brunias’s paintings belong as much to our present as they do to the pastAs scholars continue to explore his works and the visual culture of which they were a part, Bagneris’s text is sure to become a key point of reference and departure.’
Meredith Gamer, Columbia University, Collage Art Association, March 2019
'Bagneris's study of Brunias is energetic and stimulating.'
New West Indian Guide
'Bagneris’s purpose … is to complicate the univocal reading of these images and to interpret them as pro-slavery statements … the paintings manifest all the complexity and ambivalence of the system of racial classification of late-eighteenth-century British colonialism.'
Perspective
'Bagneris’ text expands our understanding of Brunias’ paintings and is a praiseworthy publication on the relationship between visual culture and imperial expansion. […] Colouring the Caribbean will not only stand as the definitive text on Brunias, but will also serve as a model for future scholarship on race and representation in the colonial world.'
Association for Art History
| SKU | Unavailable |
| ISBN 13 | 9781526174581 |
| ISBN 10 | 1526174588 |
| Title | Colouring the Caribbean |
| Author | Mia L Bagneris |
| Series | Rethinking Art's Histories |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Manchester University Press |
| Year published | 2023-11-28 |
| Number of pages | 272 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |