
Commedia dell'Arte in Context by Christopher Balme
The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.-
Jane Austen in Context
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The Brontes in Context
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Chekhov in Context
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Thomas Pynchon in Context
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Oscar Wilde in Context
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Byron in Context
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W. B. Yeats in Context
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Michael Field in Context
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Anaïs Nin in Context
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W. G. Sebald in Context
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William Burroughs in Context
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Ngugi wa Thiong'o in Context
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Elizabeth Bowen in Context
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Allen Ginsberg in Context
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Alejo Carpentier in Context
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Philip Roth in Context
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August Wilson in Context
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Franz Kafka in Context
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Ibsen in Context
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Moliere in Context
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Tom Stoppard in Context
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Bertolt Brecht in Context
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Mary Wollstonecraft in Context
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Jorge Luis Borges in Context
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Henry James in Context
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James Joyce in Context
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George Eliot in Context
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Samuel Richardson in Context
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Gerard Manley Hopkins in Context
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Dostoevsky in Context
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John Keats in Context
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Edmund Spenser in Context
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Vladimir Nabokov in Context
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George Bernard Shaw in Context
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Geoffrey Chaucer in Context
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Charles Dickens in Context
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Elizabeth Bishop in Context
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Thomas Hardy in Context
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Samuel Beckett in Context
Christopher B. Balme is Professor of Theatre Studies at the Ludwig-Maximilians-Universität Munchen. His recent publications include The Cambridge Introduction to Theatre Studies (Cambridge, 2008) and The Theatrical Public Sphere (Cambridge, 2014). Piermario Vescovo is Professor of Italian Literature at the University of Venice, Ca' Foscari and co-editor of Rivista di Letteratura Teatrale. He is the author of Entracte. Drammaturgia del Tempo (2007) and A viva voce. Percorsi del genere drammatico (2015). Daniele Vianello is Professor of Theatre Studies at the University of Calabria. He has published widely on the Renaissance and contemporary theatre. He is the author of L'arte del buffone (2005), a study of the early commedia dell'arte.
| SKU | Unavailable |
| ISBN 13 | 9781107028562 |
| ISBN 10 | 1107028566 |
| Title | Commedia dell'Arte in Context |
| Author | Christopher Balme |
| Series | Literature In Context |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Cambridge University Press |
| Year published | 2018-04-05 |
| Number of pages | 372 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |






































