
Critical Semiotics by Gary Genosko
Critical Semiotics provides long overdue answers to questions at the junction of information, meaning and 'affect'. The affective turn in cultural studies has received much attention: a focus on the pre-individual bodily forces, linked to automatic responses, which augment or diminish the body's capacity to act or engage with others. In a world dominated by information, how do things that seem to have diminished meaning or even no meaning still have so much power to affect us, or to carry on our ability to affect the world?
Linguistics and semiotics have been accused of being adrift from the affective turn and not accounting for these visceral forces beneath or generally other from conscious knowing. In this book, Gary Genosko delivers a detailed refutation, with analyses of specific contributions to critical semiotic approaches to meaning and signification. People want to understand how other people are moved and to understand embodied social actions, feelings and passions at the same time as understanding how this takes place. Semiotics must make the affective turn.
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The Visual Language of Comics
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The Semiotics of Clowns and Clowning
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Warning Signs
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The Semiotics of Architecture in Video Games
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The Semiotics of Emoji
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Curating Through Signs
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The Semiotics of the COVID-19 Pandemic
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The Semiotics of Toys and Games
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The Semiotics of Che Guevara
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The Semiotics of X
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Semiotics of Happiness
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The Social Semiotics of Populism
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A Buddhist Theory of Semiotics
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Semiotics of the Christian Imagination
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Cognitive Semiotics
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Computational Semiotics
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Computable Bodies
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The Social Semiotics of Tattoos
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The Semiotics of Light and Shadows
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The Languages of Humor
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The Language of War Monuments
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Systemic Semiotics
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Introduction to Peircean Visual Semiotics
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Semiotics and Pragmatics of Stage Improvisation
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Music as Multimodal Discourse
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Peirce’s Twenty-Eight Classes of Signs and the Philosophy of Representation
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The Semiotics of Caesar Augustus
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Semiotics of Religion
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Developing a Neo-Peircean Approach to Signs
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Semiotics with a Conscience
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The Semiotics of the Zodiac
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Early Body Ornaments and the Origins of Our Semiotic Mind
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The Semiotics of Banknotes and Coins
Just like Žižek in his critique of the Warchowski’s Matrix, Genosko in his Critical Semiotics rejects the false choice between the material blue pill and the semiotic red pill. However, he does not opt for a third pill, especially not the dialectical purple one. Following Guattari and a number of his sometimes delightfully unlikely bedfellows, Genosko reiterates the call for semiotic disobedience. Most crucially, the plea is not predicated on the facile rejection of the discursive in favour of the pathic. Rather, Genosko’s intricate mapping of the interface between expression and content remains necessarily contingent. Hence semiosis as a critique, a must-read for those living under the regime of semiocapitalism. -- Andrej Radman, Assistant Professor of Architecture, Delft University of Technology, The Netherlands
In his characteristic rigour, precision and scholarly attention to texts, Genosko offers up a wide ranging and compelling history and theory of semiotics as both critical and creative practice. With tour de force readings of key post-structualist thinkers and its own original insights and contemporary case studies, this book effectively re-writes sign and affect theory. A must for all those working at the leading edge of the theoretical humanities. -- Simon O'Sullivan, Reader in Art Theory and Practice, Goldsmiths, University of London, UK
| SKU | Unavailable |
| ISBN 13 | 9781472596376 |
| ISBN 10 | 1472596374 |
| Title | Critical Semiotics |
| Author | Gary Genosko |
| Series | Bloomsbury Advances In Semiotics |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Bloomsbury Publishing PLC |
| Year published | 2016-09-22 |
| Number of pages | 200 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |
































