Dangerous Rhythm by Richard Barrios
Insightful, exuberant, and witty, Dangerous Rhythm offers a fresh, sometimes revolutionary take on a uniquely American institution: the movie musical. Combining chronicle with critique and analysis, award-winning historian Richard Barrios lays out the whole of the musical's glorious and rocky existence, from Al Jolson to Les Miserables.
This is a book by someone who is indeed captivated: a love letter for the best of musical cinema and a blown raspberry for the worst.. * The Spectator, Sam Leith *
Richard Barrios's survey of the genre dives vividly into all its contradictions, its seemingly accidental triumphs, and its most effortful, well-meant failures. He knows the litany of films inside out, and there's not much that gets past him: the book is somewhere between a stern celebration and a wake...He has sharp words for every scar on his weathered, ageing, occasionally miraculous art form. And rightly so. * The Telegraph, Tim Robey *
Barrios knows his stuff, and musical film aficionados are well advised to get a hold of Dangerous Rhythm. He combines vast knowledge of the subject with tangy writing, resulting in a hard-to-put-down read. * Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s *
Few people can discuss early-talkie musicals and television's Glee with equal authority. Richard Barrios sees it all as part of a continuum, which is what makes his wide-ranging book so relevant. His sense of humor and lively prose style transform a scholarly treatise into a highly enjoyable reading experience. * Leonard Maltin, film critic and historian. *
Simultaneously a rigorous dissection of and a valentine to the movie musical. * Milwaukee Journal Sentinel *
[A] hugely readable, authoritative meditation on the Hollywood musical. * Philadelphia Inquirer *
[Barrios] writes about his subject authoritatively...and always directly. He does so with an absence of heavy theorizing and an abundance of strong opinions. Part of what makes Dangerous Rhythm enjoyable to read is its idiomatic prose. * Wall Street Journal *
Barrios knows this material inside out, which allows him to step back to make often inspired observations. * New York Times Book Review *
Over the years, there have been many books written about the American film musical, ranging from the superficial to the academically analytical. Few have the sheer readability - and concentrated insight - of Dangerous Rhythm, an enjoyable (and highly informative) volume. * Barry Forshaw, DVD Choice *
Richard Barrios's survey of the genre dives vividly into all its contradictions, its seemingly accidental triumphs, and its most effortful, well-meant failures. He knows the litany of films inside out, and there's not much that gets past him: the book is somewhere between a stern celebration and a wake...He has sharp words for every scar on his weathered, ageing, occasionally miraculous art form. And rightly so. * The Telegraph, Tim Robey *
Barrios knows his stuff, and musical film aficionados are well advised to get a hold of Dangerous Rhythm. He combines vast knowledge of the subject with tangy writing, resulting in a hard-to-put-down read. * Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s *
Few people can discuss early-talkie musicals and television's Glee with equal authority. Richard Barrios sees it all as part of a continuum, which is what makes his wide-ranging book so relevant. His sense of humor and lively prose style transform a scholarly treatise into a highly enjoyable reading experience. * Leonard Maltin, film critic and historian. *
Simultaneously a rigorous dissection of and a valentine to the movie musical. * Milwaukee Journal Sentinel *
[A] hugely readable, authoritative meditation on the Hollywood musical. * Philadelphia Inquirer *
[Barrios] writes about his subject authoritatively...and always directly. He does so with an absence of heavy theorizing and an abundance of strong opinions. Part of what makes Dangerous Rhythm enjoyable to read is its idiomatic prose. * Wall Street Journal *
Barrios knows this material inside out, which allows him to step back to make often inspired observations. * New York Times Book Review *
Over the years, there have been many books written about the American film musical, ranging from the superficial to the academically analytical. Few have the sheer readability - and concentrated insight - of Dangerous Rhythm, an enjoyable (and highly informative) volume. * Barry Forshaw, DVD Choice *
Richard Barrios worked in the music and film industries before turning to film history with the award-winning A Song in the Dark and Screened Out. He lectures extensively and appears frequently on television and in film and DVD documentaries. Born in the swamps of south Louisiana and a longtime resident of New York City, he now lives in bucolic suburban Philadelphia.
| SKU | Unavailable |
| ISBN 13 | 9780199973842 |
| ISBN 10 | 0199973849 |
| Title | Dangerous Rhythm |
| Author | Richard Barrios |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Oxford University Press Inc |
| Year published | 2014-07-31 |
| Number of pages | 288 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |