
Derek Jarman's Medieval Modern by Robert Mills
FINALIST IN THE HISTORIANS OF BRITISH ART BOK AWARDS 2020 The artist and filmmaker Derek Jarman (1942-1994) had a lifelong appreciation of medieval culture. But with the possible exception of Edward I, Jarman's films have not been identified to date as making a major contribution to the depiction of the Middle Ages in cinema. This book is the first to uncover a rich seam of medievalism in Jarman's art. Taking in major features such as Caravaggio, The Garden and The Last of England, as well as some of the unrealised screenplays and short experimental films, the book proposes an expanded definition of medieval film that includes not just worksset in or about the Middle Ages, but also projects inspired more broadly by the period. It considers Jarman's engagement with Anglo-Saxon poetry (notably The Wanderer); with works by fourteenth-century poets such as Chaucer, Dante and Langland; with saints and mystics from Joan of Arc to Julian of Norwich; and with numerous paintings, buildings and objects from this so-called middle time. Organised around several key themes - periodisation, anachronism, ruins and wandering - the book also asks what happens when (with Jarman, but also more broadly) we think the categories medieval and modern together. As such, it will be of interest to film scholars, art historians and medievalists of all stripes who wish to rattle the temporal cages of their fields. ROBERT MILS is Professor of Medieval Studies at University College London.-
Medievalism, Politics and Mass Media
-
Chivalry and the Medieval Past
-
Comic Medievalism
-
Neomedievalism, Popular Culture, and the Academy
-
The Middle Ages in Computer Games
-
Medievalist Traditions in Nineteenth-Century British Culture
-
Popularising the Middle Ages in Modern Fantasy
-
Georgian Gothic
-
Anglo-Saxonism and the Idea of Englishness in Eighteenth-Century Britain
-
Old English Scholarship in the Seventeenth Century
-
International Medievalisms
-
Francois Villon in English Poetry
-
Medievalism in English Canadian Literature
-
Translating Early Medieval Poetry
-
Old English Medievalism
-
Petrarch and the Literary Culture of Nineteenth-Century France
-
Anglo-Saxon Culture and the Modern Imagination
-
Reinventing Medieval Liturgy in Victorian England
-
William Morris and the Icelandic Sagas
-
Medievalism in A Song of Ice and Fire and Game of Thrones
-
Tennyson's Philological Medievalism
-
Medievalism and Reception
-
New World Medievalisms
-
Subaltern Medievalisms
-
Medievalism: a Critical History
-
Medievalisms in a Global Age
-
National Medievalism in the Twenty-First Century
-
Medievalism in Nineteenth-Century Belgium
-
Medievalism: Key Critical Terms
Because he ranged across media, Jarman can be difficult to pin down and locate in a tidy narrative of contemporary culture, and it is precisely the challenge of that untidiness that is the focus of Robert Mills's brilliant book on the artist* MEDIEVALLY SPEAKING *
Derek Jarman's Medieval Modern makes a major contribution to medieval(ist) studies and demonstrates Mills's astonishing facility with all aspects of the area, embracing history, art history, modernism, queer studies, cinema and music video, manuscript culture, and architecture. * SPECULUM *
Derek Jarman's Medieval Modern makes a major contribution to medieval(ist) studies and demonstrates Mills's astonishing facility with all aspects of the area, embracing history, art history, modernism, queer studies, cinema and music video, manuscript culture, and architecture. * SPECULUM *
| SKU | Unavailable |
| ISBN 13 | 9781843844938 |
| ISBN 10 | 1843844931 |
| Title | Derek Jarman's Medieval Modern |
| Author | Robert Mills |
| Series | Medievalism |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Boydell & Brewer Ltd |
| Year published | 2018-04-20 |
| Number of pages | 286 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




























