Disorientation by Elaine Hsieh Chou
Disorientation is at once a blistering send-up of privilege and power, and a profound reckoning of individual complicity and unspoken rage an electrifying debut novel from a provocative voice.
The funniest, most poignant novel of the year * Vogue *
Funny, fearless. . acutely inspects the power of the white gaze, academic imperialism, peer rivalry and self-hate * Observer *
A rollicking, whip-smart ride through the hallowed halls of academia * Harpers Bazaar *
Witty, knowing and funny . . . If Donna Tartt set the bar for the noirish campus novel, Elaine Hsieh Chou is setting a new bar for sharp, sideways takes on academia * Evening Standard *
Chou’s pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared. -- Raven Leilani, author of Luster
The funniest novel I’ve read all year . . . Uproarious . . . packed full of sly truths about race, love, and life in general—all of which you’re going to miss, because you’ll be laughing so hard * Aravind Adiga *
Funny and insightful, with plenty to say about art, identity, Orientalism and the politics of academia . . . entertaining, rising to a delightful climax * New York Times Book Review *
An irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba tea liberalism . . . Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper -- Cathy Park Hong
As the best comedy does, Disorientation manages to highlight uncomfortable truths, capture grey areas and hard lines, and resist sliding into easy binaries of heroes and villains * Vanity Fair *
Disorientation does what great comedies and satires are supposed to do: make you laugh while forcing you to ponder the uncomfortable implications of every punchline * Washington Post *
Captivating, irresistible, and intensely readable, and what we ultimately come to literature to find . . . a unique, propelling story * Chicago Review of Books *
A deeply smart, satirical novel that takes a critical look at racism in academia * Buzzfeed *
A multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit . . . Wickedly funny and knowing, Chou’s dagger wit is sure-eyed -- Alexander Chee, author of How to Write an Autobiographical Novel
A searing literary satire of campus politics * Entertainment Weekly *
A fresh, hilarious and thoughtful satire that'll make you think about cultural identity in a whole new way * Good Housekeeping *
Searing satire . . . Chou details her protagonist’s struggles with dry humour and wit * Time *
So many stifle-a-strangled-laugh lines . . . A send-up of the polite, cardigan-draped white supremacy of liberal arts colleges * Glamour *
Funny, fearless. . acutely inspects the power of the white gaze, academic imperialism, peer rivalry and self-hate * Observer *
A rollicking, whip-smart ride through the hallowed halls of academia * Harpers Bazaar *
Witty, knowing and funny . . . If Donna Tartt set the bar for the noirish campus novel, Elaine Hsieh Chou is setting a new bar for sharp, sideways takes on academia * Evening Standard *
Chou’s pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared. -- Raven Leilani, author of Luster
The funniest novel I’ve read all year . . . Uproarious . . . packed full of sly truths about race, love, and life in general—all of which you’re going to miss, because you’ll be laughing so hard * Aravind Adiga *
Funny and insightful, with plenty to say about art, identity, Orientalism and the politics of academia . . . entertaining, rising to a delightful climax * New York Times Book Review *
An irreverent campus satire that skewers white sclerotic academia, creepy Asian fetishists and twee boba tea liberalism . . . Helmed by a memorable screwball protagonist, the novel is both a joyous and sharply-drawn caper -- Cathy Park Hong
As the best comedy does, Disorientation manages to highlight uncomfortable truths, capture grey areas and hard lines, and resist sliding into easy binaries of heroes and villains * Vanity Fair *
Disorientation does what great comedies and satires are supposed to do: make you laugh while forcing you to ponder the uncomfortable implications of every punchline * Washington Post *
Captivating, irresistible, and intensely readable, and what we ultimately come to literature to find . . . a unique, propelling story * Chicago Review of Books *
A deeply smart, satirical novel that takes a critical look at racism in academia * Buzzfeed *
A multivalent pleasure, a deeply original debut novel that reinvents the campus novel satire as an Asian American literary studies whodunnit . . . Wickedly funny and knowing, Chou’s dagger wit is sure-eyed -- Alexander Chee, author of How to Write an Autobiographical Novel
A searing literary satire of campus politics * Entertainment Weekly *
A fresh, hilarious and thoughtful satire that'll make you think about cultural identity in a whole new way * Good Housekeeping *
Searing satire . . . Chou details her protagonist’s struggles with dry humour and wit * Time *
So many stifle-a-strangled-laugh lines . . . A send-up of the polite, cardigan-draped white supremacy of liberal arts colleges * Glamour *
Elaine Hsieh Chou is a Taiwanese American writer from California. A 2017 NYU Rona Jaffe Graduate Fellow and 2021 NYSCA/NYFA Fellow, her short fiction appears in Black Warrior Review, Guernica, Tin House Online, and Ploughshares. Disorientation is her first novel.
| SKU | Unavailable |
| ISBN 13 | 9781529080674 |
| ISBN 10 | 1529080673 |
| Title | Disorientation |
| Author | Elaine Hsieh Chou |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Pan Macmillan |
| Year published | 2023-07-27 |
| Number of pages | 416 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |