Early American Cinema in Transition by Charlie Keil

Early American Cinema in Transition by Charlie Keil

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Summary

As cinema developed from a novelty to popular entertainment, filmmaking also changed. This study looks at the changes by examining various films, especially: ""The Boy Dectective""; ""The Forgotton Watch""; ""Rose O'Salem-Town""; ""Cupid's Monkey Wrench""; ""Belle Boyd""; ""A Confederate Spy""; and ""Suspense"".

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Early American Cinema in Transition by Charlie Keil

The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.
An important contribution to the exploration of silent cinema- Kristin Thompson, series editor

CHARLIE KEIL is an associate professor in the history department and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913.
BEN SINGER is an associate professor of film in the department of communication arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.

SKU Unavailable
ISBN 13 9780299173647
ISBN 10 029917364X
Title Early American Cinema in Transition
Author Charlie Keil
Series Wisconsin Studies In Film
Condition Unavailable
Binding Type Paperback
Publisher University of Wisconsin Press
Year published 2001-12-30
Number of pages 352
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.