
Faust: Parts I & II by Johann Wolfgang Goethe
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Faust or Faustus (Latin for auspicious or lucky) is the protagonist of a classic German legend. Though a highly successful scholar, he is unsatisfied, and makes a deal with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. Faust's tale is the basis for many literary, artistic, cinematic, and musical works. The meaning of the word and name has been reinterpreted through the ages. Faust, and the adjective Faustian, are often used to describe an arrangement in which an ambitious person surrenders moral integrity in order to achieve power and success: the proverbial deal with the devil. The terms can also refer to an unquenchable thirst for knowledge. The Faust of early books-as well as the ballads, dramas and puppet-plays which grew out of them-is irrevocably damned because he prefers human to divine knowledge; he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine. Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust to a figure of vulgar fun. The story was popularized in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story 200 years later, Faust becomes a dissatisfied intellectual who yearns for more than earthly meat and drink-
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'Vigorous, colloquial and often very funny'
* Guardian *'Witty and actable'
* Financial Times *'Full of intellectual swagger, robust humour, driving poetical passion and barefaced cheek'
* Sunday Times *
Johann Wolfgang von Goethe (1749–1832) was a German writer and statesman. His body of work includes epic and lyric poetry written in a variety of metres and styles. His most famous works include: Faust; The Sorrows of Young Werther; Wilhelm Meister's Apprenticeship; Elective Affinities and Prometheus.
Howard Brenton was born in Portsmouth in 1942. His many plays include Christie in Love (Portable Theatre, 1969); Revenge (Theatre Upstairs, 1969); Magnificence (Royal Court Theatre,1973); The Churchill Play (Nottingham Playhouse, 1974, and twice revived by the RSC, 1978 and 1988); Bloody Poetry (FocoNovo, 1984, and Royal Court Theatre, 1987); Weapons of Happiness (National Theatre, Evening Standard Award, 1976); Epsom Downs (Joint Stock Theatre, 1977); Sore Throats (RSC,1978); The Romans in Britain (National Theatre, 1980, revived at the Crucible Theatre, Sheffield, 2006); Thirteenth Night (RSC,1981); The Genius (1983), Greenland (1988) and Berlin Bertie (1992), all presented by the Royal Court; Kit’s Play (RADA Jerwood Theatre, 2000); Paul (National Theatre, 2005); In Extremis (Shakespeare’s Globe, 2006 and 2007); Never So Good (National Theatre, 2008); The Ragged Trousered Philanthropists adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare’s Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); The Guffin (NT Connections, 2013); Drawing the Line (Hampstead Theatre, 2013); Doctor Scroggy's War (Shakespeare's Globe, 2014); Lawrence After Arabia (Hampstead Theatre, 2016); The Blinding Light (Jermyn Street Theatre, 2017), The Shadow Factory (NST City, Southampton, 2018), Jude (Hampstead Theatre, 2019), Cancelling Socrates (Jermyn Street Theatre, London, 2022) and Churchill in Moscow (Orange Tree Theatre, Richmond, 2025).
Collaborations with other writers include Brassneck (with David Hare, Nottingham Playhouse, 1972); Pravda (with David Hare, National Theatre, Evening Standard Award, 1985) and Moscow Gold (with Tariq Ali, RSC, 1990).
Versions of classics include The Life of Galileo (1980) and Danton's Death (1982), both for the National Theatre; Goethe's Faust (1995/6) for the RSC; a new version of Danton's Death for the National Theatre (2010); and versions of Strindberg's Dances of Death (Gate Theatre, 2013), Miss Julie (Theatre by the Lake, Keswick, & Jermyn Street Theatre, London, 2017) and Creditors (Theatre by the Lake, Keswick, & Jermyn Street Theatre, London, 2019).
He wrote thirteen episodes of the BBC1 drama series Spooks (2001–05, BAFTA Best Drama Series, 2003).
| SKU | Unavailable |
| ISBN 13 | 9781854592040 |
| ISBN 10 | 1854592041 |
| Title | Faust: Parts I & II |
| Author | Johann Wolfgang Goethe |
| Series | Nhb Classic Plays |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Nick Hern Books |
| Year published | 1995-09-21 |
| Number of pages | 282 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |






































