
Files by Cornelia Vismann
The reign of paper files would seem to be over once files are reduced to the status of icons on computer screens, but Vismann's book, which examines the impact of the file on Western institutions throughout history, shows how the creation of order in medieval and early modern administrations makes its returns in computer architecture.-
Homo Sacer
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The Open
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Technics and Time, 1
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The Spirit of Utopia
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Being Singular Plural
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Technics and Time, 2
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"What Is an Apparatus?" and Other Essays
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Creation and Anarchy
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Aporias
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The Instant of My Death /Demeure
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What Is Philosophy?
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On the Name
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On TouchingJean-Luc Nancy
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Of God Who Comes to Mind
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Technics and Time, 3
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Art As a Social System
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The Man Without Content
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Resistances of Psychoanalysis
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The Use of Bodies
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Nudities
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Psyche
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Rogues
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Is It Righteous to Be?
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Points...
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A Child Is Being Killed
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The Highest Poverty
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Opus Dei
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God, Death, and Time
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Pilate and Jesus
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The End of the Poem
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Faux Pas
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The Work of Fire
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The Rules of Art
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Who's Afraid of Philosophy?
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Writings on Art and Literature
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The Fire and the Tale
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Lessons on the Analytic of the Sublime
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Posthumous People
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The Experience of Freedom
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Karman
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What Is Real?
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Eyes of the University
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The Muses
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Potentialities
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The Kingdom and the Glory
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Musica Ficta
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Reflections on Literature and Culture
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Friendship
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Acting Out
"Cornelia Vismann's extraordinary Files. . presents a methodology for addressing the relationship between media technologies and politics that is often absent, or at least shadowy, in materialist media theory of the Kittlerian style."—Seb Franklin, The Year's Work in Critical and Cultural Theory
"Vismann's erudite and attentive analysis shows clear awareness of the danger of both a perfect order (where everything is registered, recorded) and that of a deconstruction possible turning into an order of its own kind with potentially its own para-juridical legend."—Thanos Zartaloudis, Parallax
"Vismann's Files is a highly original and theoretical project that combines the thinking of Derrida (on law and its enforcement) and Foucault (on juridical discourse and 'gouvernmentalité') with specific motifs of German media theory as developed by Friedrich Kittler. The book is a state-of-the-art contribution to the analysis of culture that allows us to envision a truly new interrelation between historical research and a comprehensive philosophy of culture that is yet to come." —Rüdiger Campe, Yale University
"Vismann's erudite and attentive analysis shows clear awareness of the danger of both a perfect order (where everything is registered, recorded) and that of a deconstruction possible turning into an order of its own kind with potentially its own para-juridical legend."—Thanos Zartaloudis, Parallax
"Vismann's Files is a highly original and theoretical project that combines the thinking of Derrida (on law and its enforcement) and Foucault (on juridical discourse and 'gouvernmentalité') with specific motifs of German media theory as developed by Friedrich Kittler. The book is a state-of-the-art contribution to the analysis of culture that allows us to envision a truly new interrelation between historical research and a comprehensive philosophy of culture that is yet to come." —Rüdiger Campe, Yale University
Cornelia Vismann is currently a researcher at the Max-Planck-Institute for European Legal History in Frankfurt am Main, Germany. She worked for many years previously as a lawyer in Berlin and the former East Berlin.
| SKU | Unavailable |
| ISBN 13 | 9780804751513 |
| ISBN 10 | 080475151X |
| Title | Files |
| Author | Cornelia Vismann |
| Series | Meridian: Crossing Aesthetics |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Stanford University Press |
| Year published | 2008-04-07 |
| Number of pages | 216 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |
















































