Film Genre From Iconography to Ideology
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Film Genre From Iconography to Ideology by Barry Keith Grant
This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.Barry Keith Grant, a film studies and popular culture professor at Brock University in St. Catharines, says Catharine's, Ontario, Canada, is the author of Frederick Wiseman's Cinema, co-author of The Film Studies Dictionary, and editor of The Fear of Difference: Gender and the Horror Film, Documenting the Documentary: Close Readings of Documentary Film and Video, and Film Genre Reader.
| SKU | Unavailable |
| ISBN 13 | 9781904764793 |
| ISBN 10 | 1904764797 |
| Title | Film Genre From Iconography to Ideology |
| Author | Barry Keith Grant |
| Series | Short Cuts Ser |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Wallflower Press |
| Year published | 2007-03-31 |
| Number of pages | 144 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |