Film Theory and Criticism by Leo Braudy

Film Theory and Criticism by Leo Braudy

Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory—including Rudolf Arnheim, Siegfried Kracauer, and André Bazin—and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into eight sections—each comprising the major fields of critical controversy and analysis—this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. The seventh edition also integrates exciting new material on feminist theory, queer cinema, and global cinema, as well as a new section, "Digitization and Globalization," which engages important recent developments in technology and world cinema. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in film theory. It is also ideal for graduate courses in film theory and criticism. ABOUT THE EDITORS Leo Braudy is University Professor and Bing Professor of English at the University of Southern California. Among other books, he is author of Native Informant: Essays on Film, Fiction, and Popular Culture (OUP, 1991), The Frenzy of Renown: Fame and Its History (OUP, 1986), and most recently, From Chivalry to Terrorism: War and the Changing Nature of Masculinity (2003). Marshall Cohen is University Professor Emeritus and Dean Emeritus of the College of Letters, Arts, and Sciences at the University of Southern California. He is coeditor, with Roger Copeland, of What Is Dance? Readings in Theory and Criticism (OUP, 1983) and founding editor of Philosophy and Public Affairs.

An excellent introductory survey text, offering key essays in film theory and criticism for the beginning student. . . A superb text in every respect; well annotated and authoritative. * Wheeler Winston Dixon, University of Nebraska *
Essential reading for the serious film student. * Jerry Allen White, University of Oklahoma *

Leo Braudy is a University Professor and the Leo S. Bing Chair in English and American Literature at the University of Southern California. He previously taught at Yale, Columbia, and Johns Hopkins University. He has received a Guggenheim Fellowship as well as a Senior Scholar Fellowship from the National Endowment for the Humanities. He has been a fellow at the Rockefeller Foundation's Bellagio Center, as well as a writer in residence at the American Academy in Rome. His book Jean Renoir: The World of His Films was a finalist for the National Book Award. Another of his books, The Frenzy of Renown: Fame and Its History, was a finalist for the National Book Critics Circle Award. He has written for The New York Times, The Washington Post, and Harper's. Mr. Braudy lives in Los Angeles.

SKU	Unavailable
ISBN 13	9780195365627
ISBN 10	0195365623
Title	Film Theory and Criticism
Author	Leo Braudy
Condition	Unavailable
Binding Type	Paperback
Publisher	Oxford University Press
Year published	2009-06-04
Number of pages	928
Cover note	Book picture is for illustrative purposes only, actual binding, cover or edition may vary.