The Filmmaker's Guide to Digital Imaging by Blain Brown

The Filmmaker's Guide to Digital Imaging by Blain Brown

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Summary

Covering the technical and practical aspects of production on the set, data management at the DIT cart and post-production, including the new Academy of Motion Picture Arts and Sciences ACES Workflow. Technical issues are presented in a readable but thorough manner with many diagrams and illustrations to explain the concepts.

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The Filmmaker's Guide to Digital Imaging by Blain Brown

Covering the technical and practical aspects of production on the set, data management at the DIT cart and post-production, including the new Academy of Motion Picture Arts and Sciences ACES Workflow. Technical issues are presented in a readable but thorough manner with many diagrams and illustrations to explain the concepts.

"It's been a painful transition from film to digital for many cinematographersBrown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!"

- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts

"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them."

- Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University


"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!"

- Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts

"As a practicing cinematographer who also teaches, I consider The Filmmaker’s Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them."

- Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University

"Read this book and not only will you know what photons do, you’ll be able to make them dance to your tune. Whether you are a working cinematographer, camera assistant, or postproduction artist, or if want to pursue one of these careers, you will learn both theory and practical techniques in these pages."

- Leo Sopicki, Blogcritics.org

Blain Brown is a cinematographer, director and writer based in Los Angeles. He has been the director of photography on features, commercials, music videos, industrials and other types of projects. He has directed and edited features and commercials, worked as a producer and has had three screenplays produced. Educated at Long Island University, Harvard Graduate School of Design and M.I.T, he was a commercial still photographer in New York before getting into film production, which he has been doing for 26 years, starting as an electrician, gaffer, and grip and then as a cinematographer, director, writer, and producer. His previous books include:

  • Cinematography: Theory and Practice
  • Motion Picture and Video Lighting
  • The Filmmakers Pocket Reference
SKU Unavailable
ISBN 13 9780415854115
ISBN 10 0415854113
Title The Filmmaker's Guide to Digital Imaging
Author Blain Brown
Condition Unavailable
Binding Type Paperback
Publisher Taylor & Francis Ltd
Year published 2014-10-03
Number of pages 310
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.