French Cinema: A Very Short Introduction

French Cinema: A Very Short Introduction

Regular price
Checking stock...
Regular price
Checking stock...
Summary

It is often claimed that the French invented cinema, and although their prominence may have been supplanted by Hollywood today, the French film industry remains both prolific and highly lauded. Exploring the entire French cinematic oeuvre, Andrew teases out the distinguishing themes, to bring the defining features of French cinema to light.

The feel-good place to buy books
  • Free US shipping over $15
  • Buying preloved emits 41% less CO2 than new
  • Millions of affordable books
  • Give your books a new home - sell them back to us!

French Cinema: A Very Short Introduction by Dudley Andrew

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until World War 1, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. The French invented the "auteur" and the "ciné-club"; they incubated criticism from the 1920s to our own day that is unrivalled; and they boast more film journals, fan magazines, TV shows, and festivals devoted to film than anywhere else. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic oeuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analysing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today, fifty years later. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Dudley Andrew is Professor of Film and Comparative Literature at Yale University. Biographer of André Bazin, he extends Bazin's thought in both What Cinema Is! (Wiley-Blackwell, 2011), and in the edited volume Opening Bazin (OUP, 2012). Working in aesthetics, hermeneutics, and cultural history, he published Film in the Aura of Art (Princeton University Press, 1984), before turning to French film with Mists of Regret (Princeton University Press, 1995) and Popular Front Paris (Harvard University Press, 2005). For these publications, he was named Officier de l'Ordre des Arts et des Lettres by the French Ministry of Culture.
SKU Unavailable
ISBN 13 9780198718611
ISBN 10 0198718616
Title French Cinema: A Very Short Introduction
Author Dudley Andrew
Series Very Short Introductions
Condition Unavailable
Binding Type Paperback
Publisher Oxford University Press
Year published 2023-10-26
Number of pages 192
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
Note Unavailable