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George Eliot's Moral Aesthetic by Constance Fulmer
George Eliot’s serious readers have been intrigued by the fact that she declared that she had lost her faith in God and had renounced her hope for a traditional Christian heaven and yet she continued to preach her own version of morality in everything she wrote, to hope for an immortality which allowed her to join an invisible choir which would influence generations to come, and to be concerned about the moral growth of her characters. This is only one of the many compelling contradictions in her life and in her artistry.
This volume aims to investigate Eliot’s ethical and artistic principles by defining her moral aesthetic as it relates to her self-concept and exploring Eliot’s narrative decisions and the decisions made by her characters and the circumstances which prompt those choices. Dr. Fulmer includes chapters on her clerical figures and other types of individuals such as musicians, and politicians. Dr. Fulmer also illuminates the paradoxes and contradictions in George Eliot’s life and in her philosophy by focusing on Eliot's use of animals, mirrors, windows, jewelry, wills and other tangible images in her poetry as well as her novels.
George Eliot’s Moral Aesthetic contends that everything about her moral philosophy is related to her writing and that everything about her writing is related to her moral philosophy.
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Persephone and Liminality in Nineteenth-Century British Poetry and Art
- Dissonance and the Radical Politics of Hans Christian Andersen’s Early Fairy Tales
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Beyond the Shelley Circle
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Nineteenth-Century Southern Women Writers
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Victorian Women’s Travel Writing and the Female-Capitalist Gaze
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Fyodor Dostoevsky
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Oscar Wilde and Nihilism
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John Ruskin and the Victorian Woman Writer
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Capital as Literature
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Feminist Gothic
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Metaphors of Economic Exploitation in Literature, 1885-1914
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Ibsen and Degeneration
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Victorian Humor
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Decentering the Nineteenth Century Novel
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Beauty in the Western Canon
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James Malcolm Rymer, Penny Fiction, and the Family
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The Forgotten Alcott
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Inventing the Popular
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Dickens' Novels as Poetry
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Thomas De Quincey in the Context of Late-Romantic Intellectuals
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Domesticity and Design in American Women's Lives and Literature
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The Textual Condition of Nineteenth-Century Literature
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Political Prayer in Nineteenth-Century American Literature
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Reading the Romantic Ridiculous
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Dickens from Shakespeare, Fuseli and Blake
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A Female Poetics of Empire
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Mark X
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Narrative Hospitality in Late Victorian Fiction
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G. W. M. Reynolds and His Fiction
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Gothic Peregrinations
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Fashion and Narrative in Victorian Popular Literature
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W.S. Gilbert and the Context of Comedy
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Antebellum American Women Writers and the Road
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Sensational Deviance
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Geography and the Literary Imagination in Victorian Fictions of Empire
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Walter Scott's Books
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Questions of Authority
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Traumatic Tales
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Vision and Character
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Anglo-American Travelers and the Hotel Experience in Nineteenth-Century Literature
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Saving the World
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Three Traveling Women Writers
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Victorian Servants, Class, and the Politics of Literacy
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Robert Seymour and Nineteenth-Century Print Culture
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The Rossetti Legacy
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English Industrial Fiction of the Mid-Nineteenth Century
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Neo-Victorian Literature and Culture
| SKU | Unavailable |
| ISBN 13 | 9781138579712 |
| ISBN 10 | 1138579718 |
| Title | George Eliot's Moral Aesthetic |
| Author | Constance Fulmer |
| Series | Routledge Studies In Nineteenth Century Literature |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Routledge |
| Year published | 2018-11-20 |
| Number of pages | 192 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |













































