Global Vampires on Screen by Simon Bacon
The Global Vampire and National Identity explores vampire cinema and media from cultures and nations beyond the dominant influence of Hollywood, examining the cultural, political and social significance of the vampire across diverse cultures and societies.
Each chapter uses a single film or television series as a lens through which to look at the chosen country’s cinematic or televisual output, incorporating national and local lore and mythologies, to examine how it speaks to individual and collective concerns from both within the nation from which it emerges and in relation to wider regional or global imaginaries. Drawing on contemporary theories of culture, identity, and horror, the volume illuminates the ways in which the construction of global vampires reveals specific characteristics of the particular culture who created them, as well as the cultures who influence and subsequently interpret them. This integrated and intersectional perspective provides a thorough and dynamic consideration of the global vampire on screen showing it to be not just a point of interest to the initiated but as a timely, vital and necessary lens through which to explore the development of national and global identities in the twenty-first century.
This volume will be a key resource for all scholars and students of national and global vampire, horror, and gothic cinema, as well as cultural studies, film studies, and television studies.
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The Practice of Public Art
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Autism and Representation
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Violence and the Pornographic Imaginary
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Intangible Cultural Heritage and New Methodological Frameworks
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Technologies of Consumer Labor
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American Representations of Post-Communism
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Ecologies of Internet Video
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Childhood in Animation
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The Undead Child in Popular Culture
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Soviet Narratology and Spatial Story Design
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News Aesthetics and Myth
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Slut Narratives in Popular Culture
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Europeans and the Media
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Media Studies and Drug Research
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Transgender Experience
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Popular Culture in Africa
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Studies of Video Practices
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Serialization in Popular Culture
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Millennials and Media Ecology
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Personified Body Parts in Cinema, Literature, and Visual Culture
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Audiovisual Healing and Reparation
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The Multiverse as Theory in Postmodern Speculative Fictional Narratives
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Postfeminist Celebrity and Motherhood
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Women Do Genre in Film and Television
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Covid-19 in Film and Television
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Young People, Media, and Nostalgia
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Generation X Goes Global
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The Borders of Subculture
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Representing Multiculturalism in Comics and Graphic Novels
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Intimacy on the Internet
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Fashion and Masculinities in Popular Culture
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Reviving Gramsci
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A Cultural Approach to Emotional Disorders
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The DIY Movement in Art, Music and Publishing
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International Perspectives on Shojo and Shojo Manga
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Migration, Identity, and Belonging
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The Trauma Graphic Novel
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Motherhood in the Media
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The Nationwide Television Studies
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Social Memory Technology
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Cognitive Poetics and Cultural Memory
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Matrix Activism
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Popular Culture and the Austerity Myth
Simon Bacon is a writer and independent scholar based in Poznań, Poland. He has written and edited over forty books on various subjects including Gothic: A Reader (2018), Horror: A Companion (2019), Eco-Vampires (2020), Nosferatu in the 21st Century (2023), The Evolution of Horror in the 21st Century (2023), and Future Folk Horror (2023), and 100 Draculas on Screen (2025). He also runs the book series Vampire Studies: New Perspectives on the Undead.
| SKU | Unavailable |
| ISBN 13 | 9781032255033 |
| Title | Global Vampires on Screen |
| Author | Simon Bacon |
| Series | Routledge Research In Cultural And Media Studies |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Taylor & Francis Ltd |
| Number of pages | 272 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |










































