Henrik Ibsen and the Birth of Modernism by Toril Moi

Henrik Ibsen and the Birth of Modernism by Toril Moi

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Summary

Published to coincide with the hundredth anniversary of his death, this is a major critical study of Henrik Ibsen by a leading literary theorist. Toril Moi offers a radical reappraisal of Ibsen's place in the birth of modernism and the origins of modern theatre, his influence on other writers, and the connection between his visual imagination and his plays.

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Henrik Ibsen and the Birth of Modernism by Toril Moi

Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a boring old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism, Toril Moi makes a powerful case not just for Ibsen's modernity, but also for his modernism. Henrik Ibsen and the Birth of Modernism situates Ibsen in his cultural context, emphasizes his position as a Norwegian in European culture, and shows how important painting and other visual arts were for his aesthetic education. The book rewrites literary history, reminding modern readers that idealism was the dominant aesthetic paradigm of the nineteenth century. Modernism was born in the ruins of idealism, Moi argues, thus challenging traditional theories of the opposition between realism and modernism. By reading Ibsen's modernist plays as investigations of the fate of love in an age of skepticism, Moi shows why Ibsen still matters to us. In this book, Ibsen's plays are showed to be profoundly concerned by theater and theatricality, both on stage and in everyday life. Ibsen's unsettling explorations of women, men, and marriage here emerge as chronicles of the tension between skepticism and the everyday, and between critique and utopia in modernity. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.
..an illuminating rer-valuation of the influence of aesthetic idealism, a welcome discussion about the need to take back real language in literary criticism, a veritable handbook of imaginative approaches to take to the culture clash of the nineteenth century, a sometimes fruitful, often frustrating, even troubling read for those who have been engaged with Ibsen for a long time... * Mary Kay Norseng MLR *
The best literary criticism makes us see authors and literary works in a new light and inspires us with a desire to reread them. This is the critical alchemy that Toril Moi achieves with her accessibly written yet genuinely scholarly book Henrik Ibsen and the Birth of Modernism. A sustained study of a single major author, the book also has global sweep and interdisciplinary breadth. Moi situates Ibsen and Norway within the European republic of letters, overturns the conventional reading of Ibsen as a realist predecessor of modern theater, and produces a compelling answer to the perennial question, "What is modernism?" By reframing Ibsen as a modernist, Moi gives fresh meaning to Ibsens work across disciplines and to his influential engagement with modern visual culture. * MLA Prize Committee *
Moi's clear-eyed revaluation of the playwright...is particularly good on Ibsen's women, refusing to idealise them and placing them at the heart of his investigative project. * Plays International *
Toril Moi was born and raised in Norway, and worked in England in the 1980s, before moving to Duke University in 1989, where she is now the James B. Duke Professor of Literature and Romance Studies. She is the author of influential books on feminist theory and on Simone de Beauvoir.
SKU Unavailable
ISBN 13 9780199202591
ISBN 10 0199202591
Title Henrik Ibsen and the Birth of Modernism
Author Toril Moi
Condition Unavailable
Binding Type Paperback
Publisher Oxford University Press
Year published 2008-02-14
Number of pages 416
Prizes Winner of Winner of the 15th annual Aldo and Jeanne Scaglione Prize for Comparative Literary Studies 2006.
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.