Herland, the Yellow Wall-Paper, and Selected Writings
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Herland, the Yellow Wall-Paper, and Selected Writings by Charlotte Perkins 1860-1935 Gilman
Wit, wisdom, and willfulness abound on page after page of this vibrant anthology from Gloria Fowler and up-and-coming illustrator Ellen Surrey. Featuring an unparalleled collection of real-life heroines of the art, design, and fashion industries, MID-CENTURY MODERN WOMEN IN THE VISUAL ARTS is a celebration of some of the most creative and successful females of that era and their societal contributions. Enjoy original, colorful, and hand-painted portraits of each of the twenty-five chosen role models portrayed in her characteristic setting, accompanied by a carefully selected quote: each lovely lady's own words to live by. A short biography rounds out the introduction to each prominent figure of the 1930s to '60s, providing a key glimpse into the lives of such impressive women as fashion maven Coco Chanel, iconic painter Frida Kahlo, and It's a Small World designer Mary Blair. Discover Edith Head's humor, Vera Neumann's inventive spirit, and Sister Corita Kent's life advice. Including a brilliant range of well-known women and those who certainly should be, this compilation makes for a treasured gift of inspiration for tweens to adults, who will come to appreciate the contributions of Yayoi Kusama, Georgia O'Keeffe, Eva Zeisel, Florence Knoll, and many more.
Perkins Gilman, Charlotte: - Who Was Charlotte Perkins Gilman? Charlotte Perkins Gilman was born on July 3, 1860, in Hartford, Connecticut. She published her best-known short story The Yellow Wall-Paper in 1892. One of her greatest works of non-fiction, Women and Economics, was published in 1898. Along with writing books, she established a magazine, The Forerunner, which was published from 1909 to 1916. Gilman committed suicide on August 17, 1935, in Pasadena, California. Early Life Gilman was born on July 3, 1860, in Hartford, Connecticut. Gilman was a writer and social activist during the late 1800s and early 1900s. She had a difficult childhood. Her father, Frederick Beecher Perkins was a relative of well-known and influential Beecher family, including the writer Harriet Beecher Stowe. But he abandoned the family, leaving Charlotte's mother to raise two children on her own. Gilman moved around a lot as a result and her education suffered greatly for it. Marriage and Inspiration Gilman married artist Charles Stetson in 1884. The couple had a daughter named Katherine. Sometime during her decade-long marriage to Stetson, Gilman experienced severe depression and underwent a series of unusual treatments for it. This experience is believed to have inspired her best-known short story The Yellow Wall-Paper (1892). Women's Rights Activism While she is best known for her fiction, Gilman was also a successful lecturer and intellectual. One of her greatest works of nonfiction, Women and Economics, was published in 1898. A feminist, she called for women to gain economic independence, and the work helped cement her standing as a social theorist. It was even used as a textbook at one time. Other important nonfiction works followed, such as The Home: Its Work and Influence (1903) and Does a Man Support His Wife? (1915). Along with writing books, Gilman established The Forerunner, a magazine that allowed her to express her ideas on women's issues and on social reform. It was published from 1909 to 1916 and included essays, opinion pieces, fiction, poetry and excerpts from novels. Death In 1900, Gilman had married for the second time. She wed her cousin George Gilman, and the two stayed together until his death in 1934. The next year she discovered that she had inoperable breast cancer. Gilman committed suicide on August 17, 1935.
| SKU | Unavailable |
| ISBN 13 | 9780141180625 |
| ISBN 10 | 0141180625 |
| Title | Herland, the Yellow Wall-Paper, and Selected Writings |
| Author | Charlotte Perkins 1860-1935 Gilman |
| Series | Penguin Twentieth Century Classics |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Penguin Random House Australia |
| Year published | 1999-09-30 |
| Number of pages | 353 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |