The Importance of Being Iceland by Eileen Myles

The Importance of Being Iceland by Eileen Myles

A poet and post-punk heroine writes on subjects ranging from Bj rk to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape Cod

Poet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city-wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit-seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her-and our-lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Bj rk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.

Eileen Myles was born in Cambridge, Mass. in 1949, was educated in catholic schools, graduated from U. Mass. (Boston) in 1971, and moved to New York City in 1974 to be a poet. She quickly became part of the reading, publishing, and performance scene in the East Village, editing dodgems in the late '70s and becoming part of the community of St. Mark's Poetry Project where she studied and was friends with Ted Berrigan, Alice Notley, Paul Violi, and Bill Zavatsky. In 1979, she was assistant to poet James Schuyler. She was Artistic Director of the Poetry Project, 1984-86. Myles is a vivid interpreter of her own work and travels widely in the US and Canada and internationally giving readings and performances. In 2007, she published Sorry, Tree (Wave Books), the latest of more than a dozen volumes of poetry, fiction, and nonfiction including Chelsea Girls, Not Me, Skies, The New Fuck You/adventures in lesbian reading, Cool for You, and The Importance of Being Iceland: Travel Essays in Art. Her most recent book is Inferno (A Poet's Novel) published by OR books. A new book of poems, Snowflake / different streets, will be published by Wave Books in 2011. She wrote the libretto for Hell, an opera with music composed by Michael Webster, which was performed on both coasts, 2004-2006. In 2007, she received The Warhol/Creative Capital art writers' grant. In 2010, the Poetry Society of America gave her the Shelley Memorial Award. She contributes to a wide number of publications including ArtForum, Bookforum, Parkett, and The Believer. She's a Prof. Emeritus at UC San Diego where she taught for five years. She lives in New York.

SKU	Unavailable
ISBN 13	9781584350668
ISBN 10	1584350660
Title	The Importance of Being Iceland
Author	Eileen Myles
Series	Semiotext Active Agents
Condition	Unavailable
Binding Type	Paperback
Publisher	Autonomedia
Year published	2009-06-05
Number of pages	368
Cover note	Book picture is for illustrative purposes only, actual binding, cover or edition may vary.