Inventions of the Studio, Renaissance to Romanticism by Mary Pardo
Looks at the Renaissance origins of the studio, at the possibilities that emerged for visualizing it in the late 16th and 17th centuries, and at its restaging among the Romantics, treating these not as part of a coherent tradition. Both as a concept and as an actual space, the book suggests that the studio is what defines the early modern artist.
Michael Cole is assistant professor of art history at the University of Pennsylvania.|Mary Pardo is associate professor of art history at the University of North Carolina at Chapel Hill.
| SKU | Unavailable |
| ISBN 13 | 9780807855683 |
| ISBN 10 | 0807855685 |
| Title | Inventions of the Studio, Renaissance to Romanticism |
| Author | Mary Pardo |
| Series | Bettie Allison Rand Lectures In Art History |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | The University of North Carolina Press |
| Year published | 2005-01-31 |
| Number of pages | 264 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |