
The Jazz Image by K Heather Pinson
Typically a photograph of a jazz musician has several formal prerequisites: black and white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. That's the jazz archetype that photography created. Author K. Heather Pinson discovers how such a steadfast script developed visually and what this convention meant for the music. Album covers, magazines, books, documentaries, art photographs, posters, and various other visual extensions of popular culture formed the commonly held image of the jazz player. Through assimilation, there emerged a generalized composite of how mainstream jazz looked and sounded. Pinson evaluates representations of jazz musicians from 1945 to 1959, concentrating on the seminal role played by Herman Leonard. Leonard's photographic depictions of African American jazz musicians in New York not only created a visual template of a black musician of the 1950s, but also became the standard configuration of the music's neoclassical sound today. To discover how the image of the musician affected mainstream jazz, Pinson examines readings from critics, musicians, and educators, as well as interviews, musical scores, recordings, transcriptions, liner notes, and oral narratives.-
Exploring American Folk Music
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Godfather of the Music Business
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Driftin' on a Memory
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Mario Lanza
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Speakeasies to Symphonies
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Free Jazz/Black Power
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Adrian Rollini
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Mississippi John Hurt
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Poor Gal
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Creole Trombone
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Rags and Bones
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Creole Soul
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Irma Thomas
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Ma Rainey's Traveling Blues
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Have Mercy Baby
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Country Bob
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Jazz Odyssey
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Erotic City and Beyond
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Dylan in Cincinnati
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Avenue Breakdown
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Swinging Against the Axis
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Duke Ellington's Symphonic Visions
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Whistle Stop
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Alan Lomax, Assistant in Charge
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Groove Theory
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Can't Be Faded
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The Amazing Jimmi Mayes
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Creating Jazz Counterpoint
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Do You Remember?
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William Levi Dawson
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Outside and Inside
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Going Up the Country
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Ragged but Right
K. Heather Pinson, Pittsburgh, Pennsylvania, is Department Head of Communication and Coordinator of Humanities at Robert Morris University. She has contributed to the Encyclopedia of African American Music, the Encyclopedia of the Blues, and Rock Brands: Selling Sound in a Media Saturated Culture.
| SKU | Unavailable |
| ISBN 13 | 9781628460513 |
| ISBN 10 | 1628460512 |
| Title | The Jazz Image |
| Author | K Heather Pinson |
| Series | American Made Music Series |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | University Press of Mississippi |
| Year published | 2014-02-28 |
| Number of pages | 256 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |
































