Keorapetse Kgositsile
Click to look inside
Keorapetse Kgositsile
Regular price
Checking stock...
Regular price
Checking stock...
Summary
A comprehensive collection of the new and collected works of South Africa’s second poet laureate, Keorapetse Kgositsile.
The feel-good place to buy books
- Free US shipping over $15
- Buying preloved emits 41% less CO2 than new
- Millions of affordable books
- Give your books a new home - sell them back to us!
Keorapetse Kgositsile by Keorapetse Kgositsile
A comprehensive collection of the new and collected works of South Africas second poet laureate, Keorapetse Kgositsile.
“If I could sing, after a sudden rain, I would certainly praise in my song Keorapetse Kgositsile’s poetry because it was shaped by his body and his soul, both of them existing all along a marvelous and historical lifetime—Willie’s property—forever beginning, forever laughing, like he did himself, inspired, nourished by Afrika, the deep and wise homeland of our ownHis transparent voice was given to the service of freedom, all over the planet. Kgositsile is like his fellow poet David Diop, a strong ‘spirit, ever since unchained.’ And I will always say to him: Thanks, brother, ‘You are what Man should be.’”—Nancy Morejón, author of Before A Mirror, The City and Homing Instincts/Querencias
“[Kgositsile’s] poems transcend the superficial definitions which some might attempt to make on the basis of quick-draw ideologies, tactics and postures from yesterday’s conferences, and keep their fingers on the pulsations of the Black soul history. That emotional history, with its consequent cry for steadiness and action, for undeviating clear-sightedness, for rejection of death, in its range of reference and feeling, jumps forth in these pages as truly deep Pan-Africanism—the truly joining thing.”—George Kent, introduction to The Present is a Dangerous Place to Live
“When trying to find texts to compare Kgositsile with one thinks of Pablo Neruda of Chile, García Lorca of Spain, Agostinho Neto of Angola, Okot p’Bitek of Uganda, and Thomas McGrath of the United States. . . . There is something magical in the way the personae of these poems seemingly start in one direction, reverse, or deviate to side paths, and then deftly start in an entirely different one to begin anew on another plane of reality. This is the work of a poet hearing his own muse and inventing an original expression as medium for the oracle.”—Sterling Plumpp, foreword to If I Could Sing
“What Kgositsile has to say is too urgent for the conceit and fanciful ambiguity of literary artifice.”—Chinua Achebe
“The young want to move and they want everything else to move—including poetry. Willie Kgositsile’s poetry lunges, strains its muscles—and barks or howls or richly murmurs or screams.”—Gwendolyn Brooks, introduction to My Name Is Afrika
“[Kgositsile’s] poems transcend the superficial definitions which some might attempt to make on the basis of quick-draw ideologies, tactics and postures from yesterday’s conferences, and keep their fingers on the pulsations of the Black soul history. That emotional history, with its consequent cry for steadiness and action, for undeviating clear-sightedness, for rejection of death, in its range of reference and feeling, jumps forth in these pages as truly deep Pan-Africanism—the truly joining thing.”—George Kent, introduction to The Present is a Dangerous Place to Live
“When trying to find texts to compare Kgositsile with one thinks of Pablo Neruda of Chile, García Lorca of Spain, Agostinho Neto of Angola, Okot p’Bitek of Uganda, and Thomas McGrath of the United States. . . . There is something magical in the way the personae of these poems seemingly start in one direction, reverse, or deviate to side paths, and then deftly start in an entirely different one to begin anew on another plane of reality. This is the work of a poet hearing his own muse and inventing an original expression as medium for the oracle.”—Sterling Plumpp, foreword to If I Could Sing
“What Kgositsile has to say is too urgent for the conceit and fanciful ambiguity of literary artifice.”—Chinua Achebe
“The young want to move and they want everything else to move—including poetry. Willie Kgositsile’s poetry lunges, strains its muscles—and barks or howls or richly murmurs or screams.”—Gwendolyn Brooks, introduction to My Name Is Afrika
Keorapetse Kgositsile (1938–2018) was chosen as South Africa’s national poet laureate in 2006. He taught at the University of Dar es Salaam, Nairobi University, and Sarah Lawrence College. His publications include The Present Is a Dangerous Place to Live, If I Could Sing: Selected Poems, and This Way I Salute You. Phillippa Yaa de Villiers is an award-winning South African writer, performance artist, and lecturer at the University of the Witwatersrand. Uhuru Portia Phalafala is a lecturer at Stellenbosch University.
| SKU | Unavailable |
| ISBN 13 | 9781496221155 |
| ISBN 10 | 149622115X |
| Title | Keorapetse Kgositsile |
| Author | Keorapetse Kgositsile |
| Series | African Poetry Book |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | University of Nebraska Press |
| Year published | 2023-01-01 |
| Number of pages | 298 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |