The Last Darky by Louis Chude-Sokei

The Last Darky by Louis Chude-Sokei

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Summary

Examines the use of Africa as a figure in the Harlem Renaissance and looks at the place of that movement within a wider Black modernism

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The Last Darky by Louis Chude-Sokei

Examines the use of Africa as a figure in the Harlem Renaissance and looks at the place of that movement within a wider Black modernism
“Louis Chude-Sokei’s innovative study not only brings overdue attention to Bert WilliamsIt deepens our understanding of black modernity and redirects the study of minstrelsy as well. A rich, wide-ranging book, it is filled with resonant insights and brilliant collocations.”—Nathaniel Mackey, author of Paracritical Hinge
“With theoretical verve and archival aplomb, Louis Chude-Sokei explores an open secret that we too often have preferred to ignore: the central role of black minstrelsy in the origins of the Harlem Renaissance. Starting with the simple fact of Bert Williams’s Caribbean origins, he finds the multiple layers of masquerade in any performance of ‘race.’ A timely, often profound portrait of the dynamics of intraracial difference in diaspora.”—Brent Hayes Edwards, author of The Practice of Diaspora

Louis Chude-Sokei is Professor of English and African American Studies at Boston University.

SKU Unavailable
ISBN 13 9780822336433
ISBN 10 082233643X
Title The Last Darky
Author Louis Chude-Sokei
Series A John Hope Franklin Center Book
Condition Unavailable
Binding Type Paperback
Publisher Duke University Press
Year published 2006-01-16
Number of pages 288
Prizes Commended for Hurston/Wright LEGACY Award (Nonfiction) 2007
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.