Live Form by Jenni Sorkin

Live Form by Jenni Sorkin

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Live Form by Jenni Sorkin

Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
Sorkin, Jenni: - Jenni Sorkin is an associate professor of the History of Art and Architecture at the University of California, Santa Barbara. She writes on the intersections between gender, material culture, and contemporary art, working primarily on women artists and underrepresented media. Her publications include Live Form: Women, Ceramics, and Community; Revolution in the Making: Abstract Sculpture by Women, 1947-2016; and numerous essays in journals and exhibition catalogs. She was educated at the School of the Art Institute of Chicago, Bard College, and received her PhD from Yale University. She is a member of the editorial board of the Journal of Modern Craft.
SKU Unavailable
ISBN 13 9780226303116
ISBN 10 022630311X
Title Live Form
Author Jenni Sorkin
Condition Unavailable
Binding Type Hardback
Publisher The University of Chicago Press
Year published 2016-07-26
Number of pages 304
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.