The Long, Long Afternoon by Inga Vesper
A gripping and beguiling debut reading group mystery for fans of Tigers in Red Weather and Tangerine.
A beguiling and evocative debut novel which exposes the sexism and racism lurking beneath the smooth surface of the American Dream in the 1950sThis vivid and atmospheric pageturner will keep readers guessing all the way to its satisfying finale. It's a powerful novel that shows how far we've come and how far we still need to go in ending discrimination. * Sunday Express *
With its fabulously kitsch technicolour setting and gripping storyline, this début is a triumph. What a pleasure to read something fresh and original. Beyond the fabulously kitsch technicolour setting of the gleaming lawns, roadside motels, and purring silver Pontiacs, Inga Vesper has captured the flavour of the casual sexism and racism of the times with a perfectly-judged touch. It's no surprise to hear this was fought over by publishers at auction. For once the hype is justified and Inga Vesper's gripping page turner must surely now be bound for Netflix. * Evening Standard *
A remarkably assured debut, The Long, Long Afternoon takes us into Stepford Wives territory: the California suburb of Sunnylakes in 1959, where housewives have to be tranquillised up to the eyeballs in order to bear the smallness and isolation imposed on them by the American dream. The racism is as systemic as the sexism: when Joyce Haney vanishes, leaving behind two young children and a bloodstained kitchen, the police promptly arrest her black maid, Ruby. Along with Detective Mick Blanke, recently arrived from New York and tasked with working out what happened, the two women take it in turns to narrate this tale of inequality, broken dreams and quiet desperation behind a picture-perfect facade. * Guardian *
A clever and absorbing debut by Inga Vesper, who bricks Joyce up in her perfect house, then smashes it to pieces with aplomb. * The Times *
Vesper mixes a gripping plot with pithy views on class, sex and race. * Sunday Times *
For fans of Revolutionary Road and Mad Men, this is an atmospheric tale of repression and style at the heart of the American Dream as a wife and mother disappears from her home leaving nothing but a stain of blood. * Stylist *
Beautifully crafted, claustrophobic and compelling, Inga Vesper's skilfully woven suburban noir is as delicious as a long drink on a hot day. * Stacey Halls, Sunday Times bestselling author of The Familiars and The Foundling *
A kind of pulp noir version of The Stepford Wives with Vesper weaving in themes of women's empowerment, institutionalised racism and the redemptive power of art. With a few notable exceptions the classic hardboiled era was the province of white male authors; here Inga Vesper looks askance at the conventions, and reconfigures the template with a timely and refreshing debut. * Irish Times *
Gripping . . . set in the steamy August of a time and place we can still recognise, its themes of nastiness, abuse and despair seem vividly relevant. A fine debut. * Sunday Sport *
Such a vivid atmosphere of stifling LA heat and stifling 50s domesticity - the brittle facades of those suburban mansions with their manicured lawns and maddened housewives. A homage to hard-boiled American crime fiction, but told with a distinctive female sensibility. Lovely! * Clare Chambers, author of Small Pleasures *
It's hard to express just how much I loved The Long, Long Afternoon. It's breathtakingly stylish, hypnotic and masterfully gripping. Inga paints the most beautiful portrait of 50s suburbia, yet each page scratches away at the sunny gloss to reveal the darkness beneath. Outstanding * Chris Whitaker, author of We Begin at the End *
With its fabulously kitsch technicolour setting and gripping storyline, this début is a triumph. What a pleasure to read something fresh and original. Beyond the fabulously kitsch technicolour setting of the gleaming lawns, roadside motels, and purring silver Pontiacs, Inga Vesper has captured the flavour of the casual sexism and racism of the times with a perfectly-judged touch. It's no surprise to hear this was fought over by publishers at auction. For once the hype is justified and Inga Vesper's gripping page turner must surely now be bound for Netflix. * Evening Standard *
A remarkably assured debut, The Long, Long Afternoon takes us into Stepford Wives territory: the California suburb of Sunnylakes in 1959, where housewives have to be tranquillised up to the eyeballs in order to bear the smallness and isolation imposed on them by the American dream. The racism is as systemic as the sexism: when Joyce Haney vanishes, leaving behind two young children and a bloodstained kitchen, the police promptly arrest her black maid, Ruby. Along with Detective Mick Blanke, recently arrived from New York and tasked with working out what happened, the two women take it in turns to narrate this tale of inequality, broken dreams and quiet desperation behind a picture-perfect facade. * Guardian *
A clever and absorbing debut by Inga Vesper, who bricks Joyce up in her perfect house, then smashes it to pieces with aplomb. * The Times *
Vesper mixes a gripping plot with pithy views on class, sex and race. * Sunday Times *
For fans of Revolutionary Road and Mad Men, this is an atmospheric tale of repression and style at the heart of the American Dream as a wife and mother disappears from her home leaving nothing but a stain of blood. * Stylist *
Beautifully crafted, claustrophobic and compelling, Inga Vesper's skilfully woven suburban noir is as delicious as a long drink on a hot day. * Stacey Halls, Sunday Times bestselling author of The Familiars and The Foundling *
A kind of pulp noir version of The Stepford Wives with Vesper weaving in themes of women's empowerment, institutionalised racism and the redemptive power of art. With a few notable exceptions the classic hardboiled era was the province of white male authors; here Inga Vesper looks askance at the conventions, and reconfigures the template with a timely and refreshing debut. * Irish Times *
Gripping . . . set in the steamy August of a time and place we can still recognise, its themes of nastiness, abuse and despair seem vividly relevant. A fine debut. * Sunday Sport *
Such a vivid atmosphere of stifling LA heat and stifling 50s domesticity - the brittle facades of those suburban mansions with their manicured lawns and maddened housewives. A homage to hard-boiled American crime fiction, but told with a distinctive female sensibility. Lovely! * Clare Chambers, author of Small Pleasures *
It's hard to express just how much I loved The Long, Long Afternoon. It's breathtakingly stylish, hypnotic and masterfully gripping. Inga paints the most beautiful portrait of 50s suburbia, yet each page scratches away at the sunny gloss to reveal the darkness beneath. Outstanding * Chris Whitaker, author of We Begin at the End *
Inga Vesper is a journalist and editor. She moved to the UK from Germany to work as a carer, before the urge to write and explore brought her to journalism. As a reporter, she covered the coroner's court and was able to observe how family, neighbours and police react to a suspicious death. Inga has worked in Syria and Tanzania, but now lives in Glasgow, because there's no better way to find a good story than eavesdropping on the chatter in a Scottish cafe on a rainy day.
| SKU | Unavailable |
| ISBN 13 | 9781838772284 |
| ISBN 10 | 1838772286 |
| Title | The Long, Long Afternoon |
| Author | Inga Vesper |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Bonnier Books Ltd |
| Year published | 2021-08-19 |
| Number of pages | 416 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |