Manet's Modernism or the Face of Painting in the 1860s
Manet's Modernism or the Face of Painting in the 1860s
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Summary
"Manet's Modernism", or, "The Face of Painting in the 1860s" is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. It argues that the claiming of Manet as the first modernist painter is an over-simplification.
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Manet's Modernism or the Face of Painting in the 1860s by Michael Fried
"Manet's Modernism", or, "The Face of Painting in the 1860s" is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central anti-theatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that existing accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition of his great canvases of the 1860s. By placing Manet squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler), as well as in the context of the critical debates of his time, Fried aims to transform our sense of Manet's artistic project. Instead of emphasizing Manet's orientation to "flatness" and visuality, Fried focuses on aspects such as: his repeated allusions to Old Masters sources, his efforts to annul the absorptive basis of the modern French tradition, and above all his pursuit of facingness and strikingness as a means of reconstructing the relationship between painting and beholder. The book should help the understanding not only of the art of Manet and his generation, but also of the way in which the Impressionist simplification of Manet's achievement has determined subsequent interpretations of his modernism.
Fried, Michael: - Michael Fried is the J. R. Herbert Boone Professor of Humanities at The Johns Hopkins University. He is the author of two previous books of poems, Powers and To the Center of the Earth, as well as numerous works in art history and criticism, including Art and Objecthood and Manet's Modernism, both published by the University of Chicago Press. In the spring of 2002 he gave the A. W. Mellon Lectures in the Fine Arts at the National Gallery of Art.
| SKU | Unavailable |
| ISBN 13 | 9780226262178 |
| ISBN 10 | 0226262170 |
| Title | Manet's Modernism or the Face of Painting in the 1860s |
| Author | Michael Fried |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | The University of Chicago Press |
| Year published | 1998-11-15 |
| Number of pages | 676 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |