Melodies Unheard
Click to look inside
Summary
The feel-good place to buy books
Melodies Unheard by Anthony Hecht
In these essays, poet and critic Anthony Hecht explores the ways in which poetry can be read and the many pleasures it affords. Ranging from Shakespeare's sonnets to Eliot, Frost and Simic, the book offers insights into poetic form, metre, rhyme and meaning, and the mysteries of poetry itself.
This book is full of small, enjoyable revelations
—Dinitia Smith, New York Times Book Review
[Hecht] not only illuminates overlooked gems such as Henry Noel's 'Gaze Not on Swans,' praising its combined sensuality of sound and image, but also pries into standards such as Eliot's The Waste Land and Frost's 'The Wood-Pile' to unearth startling interpretations . . . Hecht's insights are too numerous to mention, for he touches on every aspect of poetry while exhausting none . . . This wonderful, instructive volume will engage all lovers of fine poetry.
—Library Journal (starred review)
In the role of critic, Hecht scrutinizes the work of others closely, revealing wonders that might easily be missed even by a reasonably diligent interpretation . . . the book is mined with stimulating theories and fresh observations.
—Phoebe Pettingell, The New Leader
It is an inspiring and humbling object lesson for any serious reader to behold the thoroughness with which Mr. Hecht opens his powers of perception to the variety of texts he encountered in the course of writing these pieces . . . Throughout, the style and manner are those of a deeply knowledgeable and polished conversationalist, grateful to be in the presence of the works he understands so well. Care for poetry and its traditions has seldom been so memorably exemplified.
—Henry Taylor, Washington Times
What Hecht pays attention to in Melodies Unheard shows him to be a teacher and a close reader, in addition to the poet we already know him to be.
—Stephen Cushman, Virginia Quarterly Review
[Hecht's] broad reading and years of classroom lecturing cause him to place literature in the context of all the learning and experience he can muster—which turns out to be quite a lot.
—David Mason, Weekly Standard
Anthony Hecht shares with Christopher Ricks, the critic to whom he dedicates Melodies Unheard, an almost uncanny sense of the mysteries of poetic implication, of what we intuit and respond to without seeming to actually hear . . . Every page has some new felicity to offer us.
—John Bayley, New York Review of Books
In both poetry and prose Hecht is graceful, learned, and attentive . . . Melodies Unheard leaves me braced, chastened, and invigorated by Hecht's intellect.
—David Mason, Sewanee Review
Hecht is adept at close readings, and for this reason, among others, his book will be a pleasure for anyone who takes good poetry seriously.
—Choice
Earnestness with irony, epistemological ambition with ambiguity, complexity of feeling, fusion of emotion with music and idea—these are the modernist virtues Hecht both respects and exhibits.
—Ron Smith, Georgia Review
—Dinitia Smith, New York Times Book Review
[Hecht] not only illuminates overlooked gems such as Henry Noel's 'Gaze Not on Swans,' praising its combined sensuality of sound and image, but also pries into standards such as Eliot's The Waste Land and Frost's 'The Wood-Pile' to unearth startling interpretations . . . Hecht's insights are too numerous to mention, for he touches on every aspect of poetry while exhausting none . . . This wonderful, instructive volume will engage all lovers of fine poetry.
—Library Journal (starred review)
In the role of critic, Hecht scrutinizes the work of others closely, revealing wonders that might easily be missed even by a reasonably diligent interpretation . . . the book is mined with stimulating theories and fresh observations.
—Phoebe Pettingell, The New Leader
It is an inspiring and humbling object lesson for any serious reader to behold the thoroughness with which Mr. Hecht opens his powers of perception to the variety of texts he encountered in the course of writing these pieces . . . Throughout, the style and manner are those of a deeply knowledgeable and polished conversationalist, grateful to be in the presence of the works he understands so well. Care for poetry and its traditions has seldom been so memorably exemplified.
—Henry Taylor, Washington Times
What Hecht pays attention to in Melodies Unheard shows him to be a teacher and a close reader, in addition to the poet we already know him to be.
—Stephen Cushman, Virginia Quarterly Review
[Hecht's] broad reading and years of classroom lecturing cause him to place literature in the context of all the learning and experience he can muster—which turns out to be quite a lot.
—David Mason, Weekly Standard
Anthony Hecht shares with Christopher Ricks, the critic to whom he dedicates Melodies Unheard, an almost uncanny sense of the mysteries of poetic implication, of what we intuit and respond to without seeming to actually hear . . . Every page has some new felicity to offer us.
—John Bayley, New York Review of Books
In both poetry and prose Hecht is graceful, learned, and attentive . . . Melodies Unheard leaves me braced, chastened, and invigorated by Hecht's intellect.
—David Mason, Sewanee Review
Hecht is adept at close readings, and for this reason, among others, his book will be a pleasure for anyone who takes good poetry seriously.
—Choice
Earnestness with irony, epistemological ambition with ambiguity, complexity of feeling, fusion of emotion with music and idea—these are the modernist virtues Hecht both respects and exhibits.
—Ron Smith, Georgia Review
Anthony Hecht was born in New York City in 1923. His books of poetry include A Summoning of Stones (1954); Millions of Strange Shadows (1977); The Venetian Vespers (1980); The Transparent Man (1991); Flight Among the Tombs (1996); and The Darkness and the Light (2001). His 1967 collection of poems, The Hard Hours, won the Pulitzer Prize. He is also the author of Obbligati: Essays in Criticism (1986), The Hidden Law: The Poetry of W. H. Auden (1993), and On the Laws of the Poetic Art (1995). Among his many honors are the Bollingen Prize, the Eugene Montale Award, the Ruth Lilly Prize, the Dorothea Tanning Award, and the Robert Frost Medal, as well as fellowships from the American Academy of Rome and the Ford, Guggenheim, and Rockefeller Foundations. A Chancellor Emeritus of the Academy of American Poets, he lives in Washington, D.C.
| SKU | Unavailable |
| ISBN 13 | 9780801869563 |
| ISBN 10 | 0801869560 |
| Title | Melodies Unheard |
| Author | Anthony Hecht |
| Series | Johns Hopkins: Poetry And Fiction |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Johns Hopkins University Press |
| Year published | 2003-07-17 |
| Number of pages | 318 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |