
Melodious Tears by Dennis Kay
The funeral elegy is in some important ways the quintessential English Renaissance genre. This book demonstrates how it developed into a kind of laboratory in which writers could put theories of composition into practice. The hospitality of elegy to different styles and modes together with its primary formal obligation to fit the poem decorously to the subject, gave a special value to ingenuity, to virtuosity. Melodious Tears charts the history of the elegy from the time in the mid-sixteenth century when it was exclusively the province of professional writers, the balladeers and chroniclers, up to the 1630s, by which time the fashion for the vernacular elegy had spread throughout the literate classes. Detailed studies of the works of major elegists, particularly Spenser, Sidney, Donne, and Milton are combined with full examination of the range and variety of elegies generated in response to the deaths of Sidney (1586), Queen Elizabeth I (1603), and Prince Henry (1612). A series of appendices contains texts of a number of elegies which survive only in manuscript.-
Wordsworth and Coleridge
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The Making of Percy's Reliques
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Anais Nin, Fictionality and Femininity
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On Sympathy
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Royalist Women Writers, 1650-1689
- Refugee Writing, Refugee Reading
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Reading Veganism
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Conversation Pieces
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Geometries of Empathy
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The Victorian Novel and the Problems of Marine Language
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James Joyce and the Phenomenology of Film
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Poetic Effects in the Prose of Virginia Woolf and Emilio Cecchi
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Committed Styles
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Modernist Parody
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V.S. Naipaul, Caribbean Writing, and Caribbean Thought
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Charles Olson and American Modernism
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Visionary Philology
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Louis MacNeice and the Irish Poetry of his Time
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Memories of a Lost War
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Defending Poetry
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Charles Dickens and the Properties of Fiction
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Metafiction and the Postwar Novel
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The nouveau roman and Writing in Britain After Modernism
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The Platonism of Walter Pater
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Men and Masculinities in the Sagas of Icelanders
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The Art of Hunger
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Du Bartas' Legacy in England and Scotland
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Spatial Poetics
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John Lydgate's Fall of Princes
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South Asian Writers in Twentieth-Century Britain
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Victorian Poetry and the Culture of the Heart
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Shelley and Scripture
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W.B. Yeats, the Abbey Theatre, Censorship, and the Irish State
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Coleridge and the Doctors
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John Donne's Articulations of the Feminine
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Divine Cartographies
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Literature and Party Politics at the Accession of Queen Anne
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Acting Between the Lines
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H.D. and the Public Sphere of Modernist Women Writers 1913-1946
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Late Shakespeare
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Ireland and Scotland
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Boys in Khaki, Girls in Print
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The Godwinian Novel
`..there are master-pieces as well as pedestrian poetry in Melodius Tears...In Neo-Latin and in English, for the funeral elegy was "one of the ways poets learnt to write in the vernacular"' were many verses both sincere and introspective as well as many occasional and conventional. This book concisely and insightfully surveys them all.' ibliotheque d'Humanisme el Renaissance
`... rich and thoughtful book. The book's liveliest interest is with rhetoric, with the manipulation of poetic manners. Kay's best moments depend on beautifully observant commentary on the strategies of writing.' Robert Cummings, Times Higher Education Supplement
'he has given us a better sense of the variety of English elegy than we have had before ... What distinguishes Kay's journey along this road is his generosity toward his subjects.' G.W. Pigman III, California Institute of Technology, Journal of English and Germanic Philology, July 1992 (Volume 91 No. 3)
'One of the values of Kay's study is ... its underscoring of the plural, anthologist elements in the origin of Donne's and Milton's elegies, and its defence of these unprecedentedly inclusive poems against narrow notions of generic unity. With Medlodious Tears, the reader now has a fair-minded and scrupulous survey of the many and various examples of the genre, individual and anthologized, that precede Milton's 'Yet once more'.' Peter Sacks, The Johns Hopkins University, YES, 23, 1993
'Kay's particular strength in this daunting survey lies in his extensive knwoledge of elegiac conventions, strategies, and structures, which gives his descriptions of derivation and taxonomy an impressive authority. 'Melodious Tears stands as a mine of information, an incisive and learned study.' Raymond B. Waddington, University of Caliornia, Davis, Renaissance Quarterly
'Dr. Kay's book is a welcome addition to the Oxford English Monographs series. Kay has produced a substantial, scholarly, and well written account of the most seminal; period in the history of the English funeral elegy. His research is wide-ranging and up to date. He is consistently good on the role of the elegiac speaker, his functions, self-presentation and interests, and on the communal aspects of mourning.' David Thatcher, Archiv, 1992
`... rich and thoughtful book. The book's liveliest interest is with rhetoric, with the manipulation of poetic manners. Kay's best moments depend on beautifully observant commentary on the strategies of writing.' Robert Cummings, Times Higher Education Supplement
'he has given us a better sense of the variety of English elegy than we have had before ... What distinguishes Kay's journey along this road is his generosity toward his subjects.' G.W. Pigman III, California Institute of Technology, Journal of English and Germanic Philology, July 1992 (Volume 91 No. 3)
'One of the values of Kay's study is ... its underscoring of the plural, anthologist elements in the origin of Donne's and Milton's elegies, and its defence of these unprecedentedly inclusive poems against narrow notions of generic unity. With Medlodious Tears, the reader now has a fair-minded and scrupulous survey of the many and various examples of the genre, individual and anthologized, that precede Milton's 'Yet once more'.' Peter Sacks, The Johns Hopkins University, YES, 23, 1993
'Kay's particular strength in this daunting survey lies in his extensive knwoledge of elegiac conventions, strategies, and structures, which gives his descriptions of derivation and taxonomy an impressive authority. 'Melodious Tears stands as a mine of information, an incisive and learned study.' Raymond B. Waddington, University of Caliornia, Davis, Renaissance Quarterly
'Dr. Kay's book is a welcome addition to the Oxford English Monographs series. Kay has produced a substantial, scholarly, and well written account of the most seminal; period in the history of the English funeral elegy. His research is wide-ranging and up to date. He is consistently good on the role of the elegiac speaker, his functions, self-presentation and interests, and on the communal aspects of mourning.' David Thatcher, Archiv, 1992
| SKU | Unavailable |
| ISBN 13 | 9780198117896 |
| ISBN 10 | 0198117892 |
| Title | Melodious Tears |
| Author | Dennis Kay |
| Series | Oxford English Monographs |
| Condition | Unavailable |
| Binding Type | Hardback |
| Publisher | Oxford University Press |
| Year published | 1990-08-09 |
| Number of pages | 304 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |









































