Memoirs of a Polar Bear by Yoko Tawada
The Memoirs of a Polar Bear stars three generations of talented writers and performerswho happen to be polar bears
"In this masterful performance of ‘otherness,’ Tawada pushes us to feel the humming possibility between how things appear and what they could be" -- Asymptote
"Tawada masterfully transports the reader to this place approaching transcendence, where language — so distinctly human, we suppose — brings us into imaginative intimacy with another kind of being." -- Nathan Goldman - Full Stop
"[T]he animal characters of Memoirs pursue a hybrid existence, refusing to romanticize the state of nature." -- Christine Smallwood - Harper's Magazine
"A writer of scrupulous intensity." -- Kirkus Reviews
"Memoirs gives us an often funny and intimate perspective on what it must be like to be a sentient bear in an overwhelmingly human world." -- Clio Chang - New Republic
"In ‘Memoirs,’ when a polar bear walks into a bookstore or a grocery store, there are no troubles stemming from a lack of opposable thumbs. As with Kafka’s animal characters, we are freed to dislike them in the special way we usually reserve only for ourselves." -- Rivka Galchen - New York Times Magazine
"For all the wonderful workings of plot and structure in Memoirs of the Polar Bear, what is truly affecting is Tawada's writing, which jumps off the page and practically sings." -- Juan Vidal - NPR
"This novel is ''doubly translated'' in the sense that Yoko Tawada first wrote it in Japanese and then translated it herself into German, from whence it was re-crafted into English. It even boasts an additional layer of translating, as it were, since the first part of the book is narrated by a Russian-speaking bear. The story itself follows three generations of polar bears across the world in a powerful tale of both family and isolation." -- Lucas Iberico Lozada - Paste Magazine
"The empathy for these magnificent bears, from the cruelty foisted on them, of which they are unaware, to the love poured on them by those who care for them just drips off the page." -- Press & Journal
"Tawada bears out the truth that tongues can also bring inventive thoughts to vibrant life." -- Steven G. Kellman - The Boston Globe
"A distinguished contribution to the unique paranoid style of the new European novel." -- Anis Shivani - The Brooklyn Rail
"Ms Tawada brings her fine-nosed, soft-furred beasts to life... [Tawada] has a deadpan wit and disorienting mischief all her own, nimbly translated from the German by Susan Bernofsky." -- The Economist
"Yoko Tawada’s whimsical ursine family saga expresses a powerful sense of justice." -- The Irish Times
""Something about the way Tawada writes – and Bernofsky’s beautiful translation stays true to this – allows the reader to take the most surreal and fantastical elements of the work completely seriously. Not that this is an earnest text, on the contrary it’s deliciously whimsical and playful; but this doesn’t detract from the importance of the messages it carries. If anything, it’s proof that a different and unexpected perspective can be the most enlightening of all: it’s through the eyes of polar bears that we see humanity most clearly."" -- Lucy Scholes - The National
"Her finest stories dramatize the fate of the individual in a mobilized world." -- Benjamin Lytal - The New York Sun
"Memoirs of a Polar Bear works on many levels, fizzing with ideas on exile, migration and love... questioning what it means to be human." -- The Spectator
"Tawada asks us to see writing from an unusual perspective: it is like balancing on a ball, or hunting. Thus we’re forced to see writing not just as a cerebral art but a physical one, as well." -- Chad W. Post - Three Percent
"The novel’s eldest bear describes writing as a ''''''''dangerous acrobatic stunt.'''''''' In Memoirs of a Polar Bear, Tawada executes this stunt with the effortless grace of a seasoned circus performer." -- Thomas Michael Duncan - Words Without Borders
"As acrobatic with her writing as her polar bear subjects, Yoko Tawada walks a line between fantastical yet believable." -- World Literature Today
"Tawada’s stories agitate the mind like songs half remembered or treasure boxes whose keys are locked within." -- The New York Times
"Tawada’s accounts of alienation achieve a remarkable potency." -- The New York Times Book Review
"Strange, exquisite book." -- The New Yorker
"Tawada masterfully transports the reader to this place approaching transcendence, where language — so distinctly human, we suppose — brings us into imaginative intimacy with another kind of being." -- Nathan Goldman - Full Stop
"[T]he animal characters of Memoirs pursue a hybrid existence, refusing to romanticize the state of nature." -- Christine Smallwood - Harper's Magazine
"A writer of scrupulous intensity." -- Kirkus Reviews
"Memoirs gives us an often funny and intimate perspective on what it must be like to be a sentient bear in an overwhelmingly human world." -- Clio Chang - New Republic
"In ‘Memoirs,’ when a polar bear walks into a bookstore or a grocery store, there are no troubles stemming from a lack of opposable thumbs. As with Kafka’s animal characters, we are freed to dislike them in the special way we usually reserve only for ourselves." -- Rivka Galchen - New York Times Magazine
"For all the wonderful workings of plot and structure in Memoirs of the Polar Bear, what is truly affecting is Tawada's writing, which jumps off the page and practically sings." -- Juan Vidal - NPR
"This novel is ''doubly translated'' in the sense that Yoko Tawada first wrote it in Japanese and then translated it herself into German, from whence it was re-crafted into English. It even boasts an additional layer of translating, as it were, since the first part of the book is narrated by a Russian-speaking bear. The story itself follows three generations of polar bears across the world in a powerful tale of both family and isolation." -- Lucas Iberico Lozada - Paste Magazine
"The empathy for these magnificent bears, from the cruelty foisted on them, of which they are unaware, to the love poured on them by those who care for them just drips off the page." -- Press & Journal
"Tawada bears out the truth that tongues can also bring inventive thoughts to vibrant life." -- Steven G. Kellman - The Boston Globe
"A distinguished contribution to the unique paranoid style of the new European novel." -- Anis Shivani - The Brooklyn Rail
"Ms Tawada brings her fine-nosed, soft-furred beasts to life... [Tawada] has a deadpan wit and disorienting mischief all her own, nimbly translated from the German by Susan Bernofsky." -- The Economist
"Yoko Tawada’s whimsical ursine family saga expresses a powerful sense of justice." -- The Irish Times
""Something about the way Tawada writes – and Bernofsky’s beautiful translation stays true to this – allows the reader to take the most surreal and fantastical elements of the work completely seriously. Not that this is an earnest text, on the contrary it’s deliciously whimsical and playful; but this doesn’t detract from the importance of the messages it carries. If anything, it’s proof that a different and unexpected perspective can be the most enlightening of all: it’s through the eyes of polar bears that we see humanity most clearly."" -- Lucy Scholes - The National
"Her finest stories dramatize the fate of the individual in a mobilized world." -- Benjamin Lytal - The New York Sun
"Memoirs of a Polar Bear works on many levels, fizzing with ideas on exile, migration and love... questioning what it means to be human." -- The Spectator
"Tawada asks us to see writing from an unusual perspective: it is like balancing on a ball, or hunting. Thus we’re forced to see writing not just as a cerebral art but a physical one, as well." -- Chad W. Post - Three Percent
"The novel’s eldest bear describes writing as a ''''''''dangerous acrobatic stunt.'''''''' In Memoirs of a Polar Bear, Tawada executes this stunt with the effortless grace of a seasoned circus performer." -- Thomas Michael Duncan - Words Without Borders
"As acrobatic with her writing as her polar bear subjects, Yoko Tawada walks a line between fantastical yet believable." -- World Literature Today
"Tawada’s stories agitate the mind like songs half remembered or treasure boxes whose keys are locked within." -- The New York Times
"Tawada’s accounts of alienation achieve a remarkable potency." -- The New York Times Book Review
"Strange, exquisite book." -- The New Yorker
Yoko Tawada was born in Tokyo in 1960, moved to Hamburg when she was twenty-two, and then to Berlin in 2006. She writes in both Japanese and German, and has published several books—stories, novels, poems, plays, essays—in both languages. She has received numerous awards for her writing including the Akutagawa Prize, the Adelbert von Chamisso Prize, the Tanizaki Prize, the Kleist Prize, the Goethe Medal, and the National Book Award. New Directions publishes her story collections Where Europe Begins (with a Preface by Wim Wenders) and Facing the Bridge, as well her novels The Naked Eye, The Bridegroom Was a Dog, Memoirs of a Polar Bear, The Emissary, Scattered All over the Earth, Paul Celan and the Trans-Tibetan Angel, Suggested in the Stars, and forthcoming in autumn 2025 is Archipelago of the Sun, the final novel in her Scattered trilogy. For New Directions, Susan Bernofsky has translated Yoko Tawada’s Where Europe Begins, The Naked Eye, and Memoirs of a Polar Bear (winner of the Warwick Prize for Women in Translation), eight titles by the great Swiss-German modernist Robert Walser, and five books by Jenny Erpenbeck, including The End of Days (winner of the Independent Foreign Fiction Prize). She is the author of Clairvoyant of the Small: The Life of Robert Walser, and teaches at Columbia University, where she also directs the literary translation program.
| SKU | Unavailable |
| ISBN 13 | 9780811225786 |
| ISBN 10 | 081122578X |
| Title | Memoirs of a Polar Bear |
| Author | Yoko Tawada |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | New Directions Publishing Corporation |
| Year published | 2016-12-30 |
| Number of pages | 288 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |