
Meyerhold on Theatre by Edward Braun
Meyerhold on Theatre brings together in one volume Vsevolod Meyerhold's most significant writings and utterances, and covers his entire career as a director from 1902 to 1939. It contains a comprehensive selection from all published material, unabridged and translated from the original Russian, updated and supplemented with a critical commentary relating Meyerhold to his period and eye-witness accounts describing all his productions. The book is illustrated with photographs of Meyerhold's designs and productions.
Within this diverse collection of sometimes dense, sometimes lyrical, and always fascinating writings, Meyerhold emerges from this book as a forerunner of such directors as Brecht, Piscator, Planchon and Brook, a relentless enemy of naturalism and a supreme exponent of total theatre whose influence continues to be felt throughout the theatre of today.
This fourth edition features a new introduction by Prof. Jonathan Pitches, which helps to demystify some of the terminology Meyerhold and his associates used, and indicates the fundamental connection between culture and politics represented in his life and art.
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The Moving Body (Le Corps Poetique)
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Simon Stephens: A Working Diary
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The Art of Resonance
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Julie Hesmondhalgh: A Working Diary
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Adrian Lester and Lolita Chakrabarti: A Working Diary
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The Actor and His Body
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Julius Caesar and Me
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Notes from a Working-Class Playwright
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Steppenwolf Theatre Company of Chicago
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The Uncapturable
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The Art of Rehearsal
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Joan's Book
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Kicking Up a Storm
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Étienne Decroux to the Théâtre de l'Ange Fou
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Edward Bond: The Playwright Speaks
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Theatre Across Borders
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Revolutionary Messages
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The Art of Making Theatre
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Granville Barker on Theatre
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Devising Theatre with Stan’s Cafe
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Talking about Immersive Theatre
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Toward a Future Theatre
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The Theatre and its Double
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An Alchemy of Living Culture
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The Paris Manuscript
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Movement Directors in Contemporary Theatre
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Contemporary Women Stage Directors
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Notes from the Rehearsal Room
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The Collected Essays of Arthur Miller
It is rare that books can capture the spirit in which productions happen, but Edward Braun's anthology . . . does transmit not only the swiftly changing contexts in which Meyerhold worked, but the still-relevant impulses which his work embodied, and which have sown the seeds of so much that the modern theatre still grapples with. * Times Literary Supplement *
... This fourth edition of a seminal work compiled by Edward Braun will present as good and wide a portrait of the great man as anyone could wish for. * British Theatre Guide *
Edward Braun is Emeritus Professor of Drama at the University of Bristol. He edited the pioneering English-language selection from Meyerhold's writings, Meyerhold on Theatre, in 1969, and in 1979 published his major critical assessment, The Theatre of Meyerhold. His The Director & the Stage was first published in 1982.
Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author and/or editor of four books, three of which relate to actor training and is the founding co-editor of the Routledge journal, Theatre Dance and Performance Training.
| SKU | Unavailable |
| ISBN 13 | 9781474230209 |
| ISBN 10 | 1474230202 |
| Title | Meyerhold on Theatre |
| Author | Edward Braun |
| Series | Theatre Makers |
| Condition | Unavailable |
| Binding Type | Paperback |
| Publisher | Bloomsbury Publishing PLC |
| Year published | 2016-01-28 |
| Number of pages | 432 |
| Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
| Note | Unavailable |




























